I've got 54321,
I've got a red pair of high-heels on,
Tumble me over, it doesn't take much,
Tumble me over, tumble me, push.
In my red high-heels, I have no control,
The rituals of repression are so old,
You can do what you like, there'll be no reprisal,
I'm yours, yes I'm yours, it's my means of survival.

I've got 54321,
Come on my love, I know you're strong,
Push me hard, make me stagger,
The pain in my back just doesn't matter.
You force-hold me above the ground,
I can't get away, my feet are bound,
So I'm bound to say
That I'm bound to stay.

Today I look so good,
Just like I know I should,
My breasts to tempt inside my bra,
My face is painted like a movie,
I've studied my flaws in your reflection
And put them to rights with savage correction,
I've turned my statuesque perfection
And shone it in your direction.
So come on my darling, make me yours,
Trip me over, show me the floor,
Tease me, tease me, make me stay,
In my red high-heels I can't get away.
I'm trussed and bound like an oven ready bird
But I bleed without dying and I won't say a word.
Slice my flesh and I'll ride the scar,
Put me into gear like your lady car,
Drive me fast and crash me crazy,
I'll rise from the wreckage as fresh as a daisy.
These wounds leave furrows as they heal,
I've traveled them, they're red and real,
I know them well, they're part of me,
My birth, my sex, my history,
They grew with me, my closest friend,
My pain's my own, my pain's my end.
Clip my wings so you know were I am,
I can't get lost when you're my man.
Tame me so i know your call,
I've stabbed my heels so I am tall,
I've bound my twisted falling fall,
Beautiful mute against the wall,
Beautifully mutilated as I fall.
Use me, don't lose me.

I've got 54321,
I've got a red pair of high-heels on.
Strap my ankles, break my heels,
Make me kneel, make me feel.
Turn, turn, turn, like a clockwork doll,
Put in your key and give me a whirl.
Tease me, tease me, the reason to play,
In my red high-heels I can't get away.
I'll be your bonsai, your beautiful bonsai,
Your black-eye bonsai, erotically rotting.
Will my tiny feet fit your desire?
Warped and tied I walk on fire.
Burn me out, twist my wrists,
I promise not to shout, beat me with your fists.
Squeeze me, squeeze me, make me feel,
In my red high-heels I'm an easy kill.
Tease me, tease me, make me see,
You're the only one, I need to be me.
Thank you, will you take me?
Thank you, will you make me?
Thank you, will you break me?
Use me, don't lose me,
Taste me, don't waste me.
Use, lose, taste, waste.


Lyrics submitted by krushzed

Bata Motel song meanings
Add Your Thoughts

5 Comments

sort form View by:
  • 0
    General Comment

    this crass song reflects todays Riot Grrl.

    Crass_Adolescenton October 13, 2004   Link
  • 0
    General Comment

    This song is the shit. and yeah I agree, totally riot grrl.

    precipitateon February 16, 2006   Link
  • 0
    General Comment

    Kinda reminds of Dresden Dolls

    Violentpacifiston May 03, 2007   Link
  • 0
    General Comment

    reminds you of the dresden dolls? ha ha ha right...

    her voice is apocalyptic, it's more intense than even the lyrics.

    precipitateon March 20, 2009   Link
  • -1
    General Comment

    this is one of my favorite crass songs.

    yraliaron August 14, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.