This song explores themes of love, desire, and the complexities of human connection through combining various Elvis Presley song titles and lyrics to create a story about a passionate but tumultuous relationship. The use of referring to iconic Elvis songs helps evoke feelings of nostalgia and longing, while also being a tribute to one of the band's many Western influences. The track paints a picture that love is passionate, chaotic, and filled with conflicting emotions. Despite its difficulties and uncertainties, an underlying desire for the relationship to endure is buried deep within. The songs referenced throughout are "Sweet Caroline," a famous Neil Diamond song, "How Great Thou Art," "Wear My Ring Around Your Neck," "A Big Hunk o' Love," "Suspicious Minds," "Such a Night," "Devil in Disguise," "Midnight," "Rubberneckin'," "Heartbreak Hotel," Eddy Arnold's song "Make the World Go Away," "If You Talk in Your Sleep," "That's the Way It Is" and the Broadway musical "Man of La Mancha," and "Stranger in My Own Hometown."

The lyrics to through the dark seem to reference several film tropes and cinematic imagery, rather than a single specific movie. The references to “Sicilian men” and “brides in black shawls” could evoke scenes from classic mafia or Italian films, possibly drawing from films like The Godfather, which deals with Sicilian traditions and family honor. The imagery of a “silver-screen starlet,” “black and white blonde,” and a “smoke-filled room” could be nodding to the noir or old Hollywood genre, referencing anonymous blonde actresses who were often central to those films but remembered more for their image than their names. The idea of repeated televised lines and the feeling of having “seen the film before” might suggest commentary on familiar stories that we’ve seen repeated in cinema, especially those involving violence, loss, and tradition. The mixture of personal emotion and cinematic elements suggests a blending of personal experience with iconic film imagery.

This song is obviously recreating a memory for Van, before the fame, the adulations, and becoming who he wanted to be. its clearly painting a picture for the listener, what he's life was like, and in that regard its lovely and honest music. Now, when it comes to the meaning of this song, it is hauntingly beautiful. Saying that cleaning windows is anyones dream would be a flat out lie, and thats why we get the "whats my line" like hes in a play.. ah, yes, thats what he was supposed to say: "im happy cleaning windows". he has to remind himself that hes happy doing what he does. But, he's also saying that he takes his time, and he'll see you when his love grows. Well, he has a goal to become a musician, but he's in no rush, he'll meet his success in music, when his increasing love/dedication for it makes it inevitable. "Babe, dont let it slide, im a working man in my prime" - he reminds himself to have faith in his journey. Telling his love, (music in this case, wich he calls babe) that it shouldnt let this oppurtunity slide, hes a working man in his prime. Confidence, hes the right person for the job, music better recognize it. He also brings up musical influences, and books on zen. Stating again the interest in music, and trying to find peace in the journey. There is also enjoyment where hes at, the bakery, the saxophone, the memories, they are looked back at fondly. Making this song a tribute to the process, and most importantly, enjoying the process of acheiving any goal in life. Thats why the tune is so cheerful, because enjoying the process and patience, is the most important thing. Its almost like its saying to you, the listener, that you should enjoy the process of whatever your goal is right now! One of my favorite tunes ever! Now, the numbers, 36 and 126, they can be just numbers on the windows/street/flat(counting). They dont need to be anything else. Had a hard time finding any other reason behind them, but why say such random numbers in the first place? I found something that would make somewhat sense: Van was very spiritual in his lyrics throughout the 70's and 80's, and has many songs influenced by this(full force gale, dweller on the threshold, when god shines his light), so he could be refering to something biblical. Psalm 126 (at the very end, when the picture is painted) - it employs a methaphor for saying that God makes joy out of sorrow, laughter out of tears, etc. So it might be a reference to that God is within this process, or enjoying the process, is enjoying what god has made, a beautiful struggle. Psalm 36 (after the first chorus) - is basicly saying you should trust in gods enduring love and justice, or he takes care of those who do. Could be just a reference to having trust.

My Interpretation on this is that the narrator in the song used to be with a girl that he loved so much and but during that time he was one of the cool guys at school that lived freely(partying and alcohol, etc.) and he wasn't really able to get over his former glory. on the other hand, his girlfriend/ex matured, and started thinking about their future and got a job/career. and since he became much like an alcoholic bum of a sort, he got jealous with the girl having to work all the time having no time for him so didn't felt like "he mattered to her". somewhere in there, they broke up. so one night he went to her place all drunk so he's got this "too drunk to drive" excuse to stay. Trying to somehow patch things between them by telling her that she was "the best he ever had" and that he's really sorry for having "blew up" their relationship years ago, or else they'd still be together. On the second verse he was trying to tell her that all he really want is to be with her and that he has somehow improved that if she'd take him back, he'd no longer drink and sleep around and if she'll accept that he's still in the process of picking himself up and not to expect a great make over, then she might not be let down. The chorus is his way of telling her that they can still do what they used to find exiting or an adrenaline rush and that by doing so, even if the past is gone, they might still be able to pick-up some of the pieces of their past and replace their past failures with a renewed love to take it's place. The last part he says, "she took my heart", means he never got over her and probably never will. The line "there's only one thing I couldn't start", means that he couldn't actually start the conversation with her because he was too drunk to think straight and all of these words were just running inside his head and these were all the things he wanted to tell her.

Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.