This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Hey
Yeah
We had everything vinyl and mono
And we looked the other way
Man we were so dumb
Is the the part in the book that you wrote
Where I gotta come and save the day
Did you miss me
Did you miss me
Yeah yeah yeah
Well they say that rock is dead
They're probably right
99 girls in the pit
Did it have to come to this
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god please listen fast
Here comes the crash
We're gonna rise above
We gotta smash it up
You won't abandon us again
Hey
Give us brilliant boys we want to fuck man
Full of ecstasy hard drugs and bad luck
Yeah yeah yeah
Turn the lights back on
It burns so hard
But you won't burn long
Three chords in your pocket tonight
Are you you the one
With the spark to bring my punk rock back
I don't think so
Oh god I want to hear you say
I want to hear you say your sorry again
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god I'd give you anything to hear you say that I was right and you were wrong
Oh god before I leave this life
No and eight-ball isn't love
A hookers never gonna come
Just give it back to me
Blow out all of the lights to night
Yeah
2 million miles down the PCH
And now he's gone
I slashed his tires
I bled his brakes
It had to be done
Their hand job lives were just too cruel
Yeah mercy was done
We drown them all in their swimming pools
Run away run away run away yeah
Oh god I want to hear you say
I want to hear you say that you were wrong again
Oh god I want to hear you say
I want to hear you say that I am so much better than him
Oh god you owe us one more song
Just get out of my life
And see the world as it really is
Is this just a sad slide show
Can't make a hooker come
An eight ball isn't love
I need one thing that's divine
Let me hear it tonight
Let me hear it tonight
I gotta hear it tonight
You gotta let me here the one lost chord tonight
Yeah
We had everything vinyl and mono
And we looked the other way
Man we were so dumb
Is the the part in the book that you wrote
Where I gotta come and save the day
Did you miss me
Did you miss me
Yeah yeah yeah
Well they say that rock is dead
They're probably right
99 girls in the pit
Did it have to come to this
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god please listen fast
Here comes the crash
We're gonna rise above
We gotta smash it up
You won't abandon us again
Hey
Give us brilliant boys we want to fuck man
Full of ecstasy hard drugs and bad luck
Yeah yeah yeah
Turn the lights back on
It burns so hard
But you won't burn long
Three chords in your pocket tonight
Are you you the one
With the spark to bring my punk rock back
I don't think so
Oh god I want to hear you say
I want to hear you say your sorry again
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god I'd give you anything to hear you say that I was right and you were wrong
Oh god before I leave this life
No and eight-ball isn't love
A hookers never gonna come
Just give it back to me
Blow out all of the lights to night
Yeah
2 million miles down the PCH
And now he's gone
I slashed his tires
I bled his brakes
It had to be done
Their hand job lives were just too cruel
Yeah mercy was done
We drown them all in their swimming pools
Run away run away run away yeah
Oh god I want to hear you say
I want to hear you say that you were wrong again
Oh god I want to hear you say
I want to hear you say that I am so much better than him
Oh god you owe us one more song
Just get out of my life
And see the world as it really is
Is this just a sad slide show
Can't make a hooker come
An eight ball isn't love
I need one thing that's divine
Let me hear it tonight
Let me hear it tonight
I gotta hear it tonight
You gotta let me here the one lost chord tonight
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Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
"Hey hey hey yeah we had everything Vinyl in mono And we looked the other way Man we were so dumb "
Monophone recordings in vinyl are a very old medium, probably last produced for the mass market in the 60s and abandoned before the end of the 60s. Truly great founders or precursors of rock and roll cut mono in vinyl. But someone figured something new was better than the original rock and roll inspiration, and this increasingly was the trend until punk came along trying to reestablish the roots of rock and roll.
"Is this the part in the book that you wrote Where I gotta come and save the day Did you miss me Did you miss me Yeah yeah yeah yeah "
Who is "you"? From the rest of the lyrics, it would seem to refer to God, or some kind of god that cares in the least about the fate of rock and roll music, impliedly in a positive way. An odd attitude to attribute to the Judeo-Christian conception of God, in the least, but maybe that isn't the exclusive conception of God being talked about here. After all, those 12-steppers can as a matter of necessity come up with a "higher power" suited to their idiosyncrasies.
Apparently Ms. Love's higher power referenced in this work would want something about rock and roll salvaged and would like her to do it, or maybe was ignoring her thinking she wasn't able to anyhow? She seems ambivalent about just how much her higher power is willing to be supportive of her throughout the song.