@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Hey
Yeah
We had everything vinyl and mono
And we looked the other way
Man we were so dumb
Is the the part in the book that you wrote
Where I gotta come and save the day
Did you miss me
Did you miss me
Yeah yeah yeah
Well they say that rock is dead
They're probably right
99 girls in the pit
Did it have to come to this
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god please listen fast
Here comes the crash
We're gonna rise above
We gotta smash it up
You won't abandon us again
Hey
Give us brilliant boys we want to fuck man
Full of ecstasy hard drugs and bad luck
Yeah yeah yeah
Turn the lights back on
It burns so hard
But you won't burn long
Three chords in your pocket tonight
Are you you the one
With the spark to bring my punk rock back
I don't think so
Oh god I want to hear you say
I want to hear you say your sorry again
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god I'd give you anything to hear you say that I was right and you were wrong
Oh god before I leave this life
No and eight-ball isn't love
A hookers never gonna come
Just give it back to me
Blow out all of the lights to night
Yeah
2 million miles down the PCH
And now he's gone
I slashed his tires
I bled his brakes
It had to be done
Their hand job lives were just too cruel
Yeah mercy was done
We drown them all in their swimming pools
Run away run away run away yeah
Oh god I want to hear you say
I want to hear you say that you were wrong again
Oh god I want to hear you say
I want to hear you say that I am so much better than him
Oh god you owe us one more song
Just get out of my life
And see the world as it really is
Is this just a sad slide show
Can't make a hooker come
An eight ball isn't love
I need one thing that's divine
Let me hear it tonight
Let me hear it tonight
I gotta hear it tonight
You gotta let me here the one lost chord tonight
Yeah
We had everything vinyl and mono
And we looked the other way
Man we were so dumb
Is the the part in the book that you wrote
Where I gotta come and save the day
Did you miss me
Did you miss me
Yeah yeah yeah
Well they say that rock is dead
They're probably right
99 girls in the pit
Did it have to come to this
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god please listen fast
Here comes the crash
We're gonna rise above
We gotta smash it up
You won't abandon us again
Hey
Give us brilliant boys we want to fuck man
Full of ecstasy hard drugs and bad luck
Yeah yeah yeah
Turn the lights back on
It burns so hard
But you won't burn long
Three chords in your pocket tonight
Are you you the one
With the spark to bring my punk rock back
I don't think so
Oh god I want to hear you say
I want to hear you say your sorry again
Oh god you owe me one more song
So I can prove to you that I am so much better than him
Oh god I'd give you anything to hear you say that I was right and you were wrong
Oh god before I leave this life
No and eight-ball isn't love
A hookers never gonna come
Just give it back to me
Blow out all of the lights to night
Yeah
2 million miles down the PCH
And now he's gone
I slashed his tires
I bled his brakes
It had to be done
Their hand job lives were just too cruel
Yeah mercy was done
We drown them all in their swimming pools
Run away run away run away yeah
Oh god I want to hear you say
I want to hear you say that you were wrong again
Oh god I want to hear you say
I want to hear you say that I am so much better than him
Oh god you owe us one more song
Just get out of my life
And see the world as it really is
Is this just a sad slide show
Can't make a hooker come
An eight ball isn't love
I need one thing that's divine
Let me hear it tonight
Let me hear it tonight
I gotta hear it tonight
You gotta let me here the one lost chord tonight
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"Hey hey hey yeah we had everything Vinyl in mono And we looked the other way Man we were so dumb "
Monophone recordings in vinyl are a very old medium, probably last produced for the mass market in the 60s and abandoned before the end of the 60s. Truly great founders or precursors of rock and roll cut mono in vinyl. But someone figured something new was better than the original rock and roll inspiration, and this increasingly was the trend until punk came along trying to reestablish the roots of rock and roll.
"Is this the part in the book that you wrote Where I gotta come and save the day Did you miss me Did you miss me Yeah yeah yeah yeah "
Who is "you"? From the rest of the lyrics, it would seem to refer to God, or some kind of god that cares in the least about the fate of rock and roll music, impliedly in a positive way. An odd attitude to attribute to the Judeo-Christian conception of God, in the least, but maybe that isn't the exclusive conception of God being talked about here. After all, those 12-steppers can as a matter of necessity come up with a "higher power" suited to their idiosyncrasies.
Apparently Ms. Love's higher power referenced in this work would want something about rock and roll salvaged and would like her to do it, or maybe was ignoring her thinking she wasn't able to anyhow? She seems ambivalent about just how much her higher power is willing to be supportive of her throughout the song.
"Oh God you owe me one more song So I can prove to you that I'm so much better than him Oh god please listen fast Here comes the crash We're gonna rise above We gotta smash it up You won't abandon us again hey"
Actually the "him" in this is probably neither Cobain nor any form of deity. Rather it is more likely famous poser and mediocre musician "Marilyn Manson" who she wants people to see she is better than, among others who may have been involved in the "Rock is Dead Tour". ("Well they say that Rock is Dead"). Love's experience on that tour is that few parents are going to let their little daughters, her core audience, go to a testosterone drenched adolescent puke-fest featuring goth posers, and you could get at most "99 girls in the pit".
"Well they say that rock is dead And they're probably right 99 girls in the pit Did it have to come to this?"
And they said "God" was "dead" one time too (as a predominant cultural anchor, not in any theological sense). But along came Carter, the whole Born Again she-bang, and it seems "God" is not "dead". Maybe this kind of thing could happen for rock too, despite failing attendence - a mere 99 girls. Of course this can also be interpreted in a certain "the world revolves about me" sense, and she may be referring only to riot grrrl rock, of which I suppose she means mostly herself. There's something about Courtney Love's estimate of her importance which can be matched only by Yoko Ono's overblown opinion of herself, so maybe this meaning does apply throughout the song.
Maybe a little harsh but could the line "Oh God you owe me one more song, So I can prove to you that I'm so much better than him" be a statement that she feels overshadowed by ex-husband Kurt Cobain's songwriting legacy?
@thelastnarrator "Him" could just as easily refer to bandmate Eric. She often vied for power and inluence wthin Hole with Eric, in ways that she would not have been in conflict with Kurt. I think that makes Eric a better candidate for "Him".
in the music video, she destroys a rap video set, to me its kinda speaking out to rap, and saying shes better than it, and i hate rap and this song kinda seems like shes saying rock is better, which i totally agree with
'99 girls in the pit' refers to rapestock, where I think the official 'number' was 29. Courtney Love said that she believes the real number would have been more like 99. The sleevenotes have a discrepancy in this lyric, they read: they say that rock is dead and it's probably true 99 girls in the pit and the blame all lies with you. Though she clearly sings 'did it have to come to this?'
She's attacking the Fred Dursts and Eminems who have used music to spread mysogyny and hatred whereas she would prefer the traditional 'brilliant boys' like Cobain and other icons who used music, arguably, to spread ideas and for cartharsis for their pain.
courtney love is beautiful! she's my idol. this sonng rules!:D
HAHAH shes my idol too RIOT grrl- i love that kinderwhore baby doll look its so pretty n so ironic
Yeah Drive a million miles down the PCH/
The PCH is a well known acronym for The Pacific Coast Highway. The PCH is the main road into and out of Malibu, which is another Love lyric which probably ties in with this use here. Technically, the PCH is the same highway that extends all the way up the Pacific Coast into Washington and you can drive it up to Seattle. A number of grunge works make reference to this highway for various lyrical purposes.
And now he's gone / I slashed his tires, I bled his brakes /
"Malibu" opens with the lyric "Crash and burn", interestingly enough.
It had to be done / Their hand-job lives were just too cruel /
I would understand this largely to refer to the enormously phony or nongenuine ("hand job") cultural mileau that is the Hollywood movie and music business - whose main colony is often considered to be Malibu.
(But) mercy was done / We drowned them all in their swimming pools / Run away, run away, run away yeah
Leave the phony Hollywood ethos behind, and run away. This again is reminiscent of the ethos of punk, which the song elsewhere references with its "three chords in your pocket tonight ... bring my punk rock back" - three chords being a staple musical device of punk. Punk in LA was centered in Hollywood, ironically, because that's where the run down venues and seedy atmospheres that would host these acts in their formative days could manage to play given their lack of financial clout and limited audiences.
this is sticking it to "the man" lol if u have seen school of rock ( a terrible movie at that) but thats what thats from and tahts what it hink this is about ~rock -Robert