It’s a call to younger generations to “change your mind” from worrying (tossing and turning means worrying) about their own personal desires/dreams (because they won’t last) … and instead use their “short while” on earth to love and leave the world better … and thereby enter heaven. Someone mentioned a Buddhist theme, but the emphasis of the Buddha was not much on leaving the world a better place, but rather on exiting the world. This song is far more of a Jewish-Christian message given that both of those wisdom traditions have a strong emphasis on making the world better. One of the biggest symbols in Christianty is the white dove, which is the Holy Spirit. The Holy Spirit is the love that flows back and forth between God and Christ - and also the flow of love between God/Jesus and humanity. Also in many places the Bible says “God is love.” So the lyrics of: will you carry “love with you. Will you ride the great white bird into heaven?” is probably a reference to the holy spirit. Google “holy spirit” and click on Images and almost 100% are of white doves. Likewise, both Judaism and Christianity emphasis that God expects us to make the world better, and convey that it affects whether we’ll get into heaven. It’s not the sole determinant, but it’s a factor. One example of many is in the passage about helping “the least of these,” Jesus says that those who don’t help people in the greatest need, they won’t access heaven. The Old Testament (Jewish sections before Jesus came) have similar themes. Likewise, in Buddhism a person can only reach heaven through their own efforts and without divine help, and we must spend countless lives doing tons of meditation to work off all of our karma and to develop enough virtues to eventually reach heaven. But Christianity conveys that we can get there sooner and easier with God’s help (love’s help), and we can’t do it on our own. So “riding” another being into heaven is the opposite of what the Buddha taught, and matches exactly with Christian teaching. The theme of not becoming attached to things is part of both Buddhism and Christianity. Cat’s parents were originally Greek Orthodox, but he was raised Catholic. They only attended church some of the time, so the family wasn’t very religious. But besides church, Cat said he also studied Christianity to some degree in school. So he would have been well aware of the meaning of a white dove. He did also do some reading about Buddhism, and that shows up in a few of his songs. But I don’t think this is really one of them. On the same album he has a song named “Jesus” in which he talks about both Jesus and Buddha. He wrote this album a few years before he became Muslim, and said it was before he even considered Islam or read any texts of Islam. So that didn’t influence Oh Very Young or any of his well-known songs. He stopped singing soon after his conversion.

The lyrics to through the dark seem to reference several film tropes and cinematic imagery, rather than a single specific movie. The references to “Sicilian men” and “brides in black shawls” could evoke scenes from classic mafia or Italian films, possibly drawing from films like The Godfather, which deals with Sicilian traditions and family honor. The imagery of a “silver-screen starlet,” “black and white blonde,” and a “smoke-filled room” could be nodding to the noir or old Hollywood genre, referencing anonymous blonde actresses who were often central to those films but remembered more for their image than their names. The idea of repeated televised lines and the feeling of having “seen the film before” might suggest commentary on familiar stories that we’ve seen repeated in cinema, especially those involving violence, loss, and tradition. The mixture of personal emotion and cinematic elements suggests a blending of personal experience with iconic film imagery.

Bad luck, Tim.

Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.

He certainly did earn that reputation.