In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
It's a still life watercolor
Of a now-late afternoon
As the sun shines through the curtain lace
And shadows wash the room
And we sit and drink our coffee
Couched in our indifference, like shells upon the shore
You can hear the ocean roar
In the dangling conversation
And the superficial sighs
The borders of our lives
And you read your Emily Dickinson
And I my Robert Frost
And we note our place with book markers
That measure what we've lost
Like a poem poorly written
We are verses out of rhythm
Couplets out of rhyme
In syncopated time (in syncopated time)
And the dangling conversation
And the superficial sighs
Are the borders of our lives
Yes, we speak of things that matter
With words that must be said
"Can analysis be worthwhile?"
"Is the theater really dead?"
And how the room is softly faded
And I only kiss your shadow, I cannot feel your hand
You're a stranger now unto me
Lost in the dangling conversation
And the superficial sighs
In the borders of our lives
Of a now-late afternoon
As the sun shines through the curtain lace
And shadows wash the room
And we sit and drink our coffee
Couched in our indifference, like shells upon the shore
You can hear the ocean roar
In the dangling conversation
And the superficial sighs
The borders of our lives
And you read your Emily Dickinson
And I my Robert Frost
And we note our place with book markers
That measure what we've lost
Like a poem poorly written
We are verses out of rhythm
Couplets out of rhyme
In syncopated time (in syncopated time)
And the dangling conversation
And the superficial sighs
Are the borders of our lives
Yes, we speak of things that matter
With words that must be said
"Can analysis be worthwhile?"
"Is the theater really dead?"
And how the room is softly faded
And I only kiss your shadow, I cannot feel your hand
You're a stranger now unto me
Lost in the dangling conversation
And the superficial sighs
In the borders of our lives
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
such beautiful, beautiful lyrics. about two people in a relationship who are mutually inquisitive and intelligent, and thought themselves to be a perfect match. individually they havent changed, but they have lost touch with each other, grown apart, forgotten to feel in their quest for thought. they try to fill the emptiness where there love used to flourish with the "big questions", but both realize that it isnt working. i think "borders of our lives" refers to the fact that we are only human and can only do and understand so much in our time here on earth; that we need to make the most of the now and embrace those we love we lose them. also could refer to the walls we build up between ourselves and other people.
I think this is the most accurate interpretation of the song :) I agree with you
I love how they note their place with book-markers that measure what they've lost. As they've spent their time in this suspended form of communication and the time they've wasted is measured in pages turned. Such a wondrous literal image.
i'm pretty sure these are some of the most amazing lyrics ever written, and i'm surprised that there aren't more comments.
It's a touch of genius when Paul and Art sang the phrase 'in syncopated time' syncopated-ly.
@janeaparis1 Such a Heavenly voice he has.
The slow disintegration of a relationship... but neither knows how to step up and say anything, but both know it's happening. Each seems to be too deeply withdrawn into his and her own worlds to reach out to the other.
When I hear this song, I always imagine the characters being sort of like Frazier Crane and Lilith from the TV show...I guess because it all seems so over-intellectual and high culture. Especially the questions in the last verse about "analysis" and "the theatre." Of course, in the TV show Frazier and Lilith did end up breaking up so I guess this is one form of art imitating another or something.
'The borders of our lives' to me, represents 'small talk'. Skimming the surface, never going into extreme detail discussing the issue of the obviously fizzling relationship.
I think that the author sadly recognizes that he and his lover can approximate their experiences of reality - and each other - in only a most imperfect way, gaining while losing something of the world's essence through the filters of language, background (Frost vs. Dickinson, male vc. female), and so forth. The more he may focus his attention on his lover, the more he distorts her, and the more he intellectually transforms her from substance to shadow. Indeed, every analysis of this condition (even this interpretation of these lyrics, even the author's interpretation of his experiences through the writing of these lyrics) creates distance between man and his environs, between one human and another. We tend to adopt the Cartesian subject-object dichotomy, becoming observers of (perhaps more than participants in) our very lives. To inaccurately invoke that old physicist, Heisenberg, the presence of the observer alters the content of that which he observes. It is remarkable that such haunting words were penned by so young a writer.
Your user name does not fit you ;) LOL. I had to use a dictionary to understand your gifted writing...
Your interpretation is excellent. I think the song is rooted in existential philosophy, in which a person needs to take action in order to have a meaningful existence. The couple's dedication to intellectual inquiry leaves them hemmed into the setting of a darkening room. Albert Camus' "The Stranger" depicts a character who also is largely an observer of his world and who fails to use his mind and his will to enlarge his life, but rather he tragically bends to the influence of other characters and circumstances. The estrangement of the couple is very existential, even as they discuss the trendy philosophy of "analysis." The song is a call to action.
i think this song tells the story of a professional, intellectual well off and and well grounded in the arts who are slowly drifting apart...until the realization (only kiss your shadow, cannot feel your hand, you're a stranger now unto me) that what they once had and shared is gone, and is not coming back
Yes, how true. GAME over.
There is a lot of meaning in "And I only kiss your shadow, I cannot feel your hand," I can only interact with your image, not the real you.