This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Got me the strangest woman
Believe me this trick's no cinch
But I really get her going
When I whip out my big ten inch
Record of a band that plays the blues
Well a band that plays its blues
She just love my big ten inch
Record of her favorite blues
Last night I tried to tease her
I gave my love a little pinch
She said now stop that jivin'
Now whip out your big ten inch
Record of a band that plays those blues
Well a band that plays the blues
She just loves my big ten inch
Record of her favorite blues
I, I, I cover her with kisses
And when we're in a lover's clinch
She gets all excited
When she begs for my big ten inch
Record of a band that plays those blues
Well a band that plays the blues
She just love my big ten inch
Record of her favorite blues
My girl don't go for smokin'
And liquor just make her flinch
Seems she don't go for nothin'
'Cept for my big ten inch
Record of a band that plays the blues
Band that play the blues
She just love my big ten inch
Record of her favorite blues
Believe me this trick's no cinch
But I really get her going
When I whip out my big ten inch
Record of a band that plays the blues
Well a band that plays its blues
She just love my big ten inch
Record of her favorite blues
Last night I tried to tease her
I gave my love a little pinch
She said now stop that jivin'
Now whip out your big ten inch
Record of a band that plays those blues
Well a band that plays the blues
She just loves my big ten inch
Record of her favorite blues
I, I, I cover her with kisses
And when we're in a lover's clinch
She gets all excited
When she begs for my big ten inch
Record of a band that plays those blues
Well a band that plays the blues
She just love my big ten inch
Record of her favorite blues
My girl don't go for smokin'
And liquor just make her flinch
Seems she don't go for nothin'
'Cept for my big ten inch
Record of a band that plays the blues
Band that play the blues
She just love my big ten inch
Record of her favorite blues
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Gentle Hour
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
No Surprises
Radiohead
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Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Ha ha...this song's great..definite innuendo, and pulled off well, the way "record" is added in there. i'm sure you can analyze it w/ or w/o the sex. and the backing jazz band or w/e they have goin is really good..i'd love to get some friends to play this song
and i agree, it does sound like "suck on my big ten inch..." i wonder which word he thought about when he sang it?