This is about bronies. They communicate by stomping.
I Hath Been Immersed Head Down.
In that, Which Floweth In Abundance from the Slaughtered Ones.
I Hath Been Made to Eat Feces and Drink Urine.
I Lay in Chains before the Undying Flames.
I am Helpless in the Presence of He Who is Master of the Pits of Fire.
I am Humbled and Broken in the Presence of Those Who Shall Consume My Shade in the Pits of Burning.
I Didst Bow in Homage to the Spawn of Set.
I Hath Kneeled in Homage to the Servants of Shesses.
In Rebellion, I Did Recite the Formulae of Rites in Glorification of the Lords of Filth.
I Hath Recited the Formulae of Rites in Glorification of the Lords of Wickedness.
He Who Hath Dominion of Khenti-Amenti Hath Uttered,
"Hack in Pieces and Cut Asunder the Bodies of Mine Enemies and the Members of the Dead Who Hath been Turned Upside Down.
Scatter in Pieces Their Shades.
They Shall be Cast Down Headlong into the Pits of Fire.
They Shall not Escape nor be able to Flee From the Flames Which Art in the Serpent Set-Heh."
I burn.
My Heart Desires to Burn in the Pit of Fire.
Allow My Ka to Blaze in Flames and be Utterly Consumed.
I Stand in Submission Before the Living Uraei of Flame Who Hurls Forth Burning Heat Against The Tongues of Those Who Hath Spoken Evil.
Incinerate Me in the Pits of Burning.
Sear Me in the Pits of the Damned.
Immolate Me in the Pits of Torment.
I Seek only the Charnel Bliss and the Blackened Caress of the Burning Pits of the Duat.
I Burn.
I Burn.
I Burn.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
In that, Which Floweth In Abundance from the Slaughtered Ones.
I Hath Been Made to Eat Feces and Drink Urine.
I Lay in Chains before the Undying Flames.
I am Helpless in the Presence of He Who is Master of the Pits of Fire.
I am Humbled and Broken in the Presence of Those Who Shall Consume My Shade in the Pits of Burning.
I Didst Bow in Homage to the Spawn of Set.
I Hath Kneeled in Homage to the Servants of Shesses.
In Rebellion, I Did Recite the Formulae of Rites in Glorification of the Lords of Filth.
I Hath Recited the Formulae of Rites in Glorification of the Lords of Wickedness.
He Who Hath Dominion of Khenti-Amenti Hath Uttered,
"Hack in Pieces and Cut Asunder the Bodies of Mine Enemies and the Members of the Dead Who Hath been Turned Upside Down.
Scatter in Pieces Their Shades.
They Shall be Cast Down Headlong into the Pits of Fire.
They Shall not Escape nor be able to Flee From the Flames Which Art in the Serpent Set-Heh."
I burn.
My Heart Desires to Burn in the Pit of Fire.
Allow My Ka to Blaze in Flames and be Utterly Consumed.
I Stand in Submission Before the Living Uraei of Flame Who Hurls Forth Burning Heat Against The Tongues of Those Who Hath Spoken Evil.
Incinerate Me in the Pits of Burning.
Sear Me in the Pits of the Damned.
Immolate Me in the Pits of Torment.
I Seek only the Charnel Bliss and the Blackened Caress of the Burning Pits of the Duat.
I Burn.
I Burn.
I Burn.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
I Burn in this Tomb of Fire.
Lyrics submitted by Frances-The-Tool
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Bron-Y-Aur Stomp
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Just A Little Lovin'
Dusty Springfield
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I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
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How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Excellent.
Excellent.
MY GOD, what an amazing display of musical showmanship, its blinding!
Agreed... this is probably my fave Nile song. Best death metal band around.
From the horses mouth: Lyrically, the inspiration for this song comes from the book "Am-Duat (Division XI)", which shows that after the enemies of Orisis were beheaded and mutilated, the remains were disposed of by burning. The body was cut into pieces, the spirit severed, the shadow driven away, the skull battered in, and the pieces cast down into a pit, or pits, of fire. The pictures which accompany the texts leave no doubt on this point, for in them, the pits are clearly shown, and we see the bodies, souls, shadows and heads being consumed. Each pit is overseen by a fire-vomiting goddess, who dilligently ensures that the all-consuming flames are renewed. Each goddess wields a knife, which was used to stab, cut and hack the body into "such a way that ye shall never again see those who are living upon the Earth". The entire horrible scene is related in detail from the aforementioned text courtesy of renowned Egyptologist Sir E. A. Wallis Budge:
"The Majesty of this God uttereth the decree: Hack in pieces and cut asunder the bodies of mine enemies and the members of the Dead who have been turned upside down, O my Father Osiris. My Father having been helpless hath smitten you, he hath cut up your bodies, he hath hacked in pieces your spirits and your souls, and hath scattered in pieces your shadows, and hath cut in pieces your heads. Ye shall nevermore exist, ye shall be overtheown, and ye shall be cast headlong into the pits of fire, and ye shall not escape therefrom, and ye shall not be able to flee from the flames which art in the Serpent Set-Heh. The fire of Hert-Khettut-S is against you, the flames of Hert-Hatu-S are against you, the blazing heat of Hert-Nemmat-S is against you. Het-Sefu-S is against you, and she stabs at you and hacks you in pieces, and cuts you up in such a way that ye shall never again see those who are living upon the Earth. As for those who are in this picture in the Tuat, it is for the Majesty of Heru-Tuati who giveth the order for their slaughter each day. Those who are in this picture, who are depicted with the enemies of Osiris of the Duat, and with Her-Utu-D, who is the guardian of this circle, live by means of the voice of the enemies, and by the cries of entreaty of the souls and shadows which have been placed in their pits of fire."
I chose to write the lyrics from the doomed enemy's viewpoint. The character in the lyrics is not only resigned to his ultimate doom, but actively years for it - perhaps as a means to a quicker end to his torment, or maybe just the finality of glorious culmination of his chosen, infernal path.