I was riding a train, or maybe a bar,
In the winter of ought, in the new century,
With Millennium Bud, and phones without wires,
And my gal had gone off with a life all her own,
Stead of being a hunnerd percent homemakin' girl,
And as tough as I was wasn't all that tough,
And I noticed my Bud had gone flat at the end
Just like beers before 2000 tended to do,
And I looked at the clock saying quarter to 2,
So I went off to bed with myself.

Well work had got slow cause I do it outside,
So I made it my work to come night after night,
The 'tenders were friendly and shown me a trick--
"Drink it faster," they said, "and it never gets flat."
I'll have to admit they were right about that.
(You might even want to take note of this fact,
But remember--like a guy also told me one time--
"You must keep in mind that you can't drink it all.")
An expert's approach, if there ever was one,
To the problem exposed by the dreaded "Last call."

So anyhow one night a drifter came in
And swayed down the aisle in his long cowboy coat,
His spurs making tiny Oooommmm-ish like notes,
And the moon making sparkles on his buckles and irons,
And he sat down beside me and ordered a brew.
"How far is this engine takin' this rig?"
I asked him--a kind of a "howdy" I guess--
And he looked at me gently, like Clint Eastwood would,
And drew his revolver, gave the chambers a whack
And said with a smile, "It's a circular track."

This puzzled me greatly and grieved me no end:
I had always believed we were going straight up,
Or maybe straight down--it depended on luck
And the good lord's intentions, whatever they was,
And then there was whatever the hell we might do,
With the millennimum intelligence we was give--
But ole Clint he jes smiled, and sucked on his smoke,
Like he thought it was some kind o cosmical joke
And he sez to me, "Bud, there's no reason for hope;
But then there's no particular call for despair."

This astounded me more, I was shocked and amazed,
And I must have looked startled, as he chucked at my chin,
And ordered us both one more for the road.
"Listen Bud," he repeated, "it comes round again.
It goes over and over, the whole blessed time,
Like wieners from Frosty, like Coronas and lime.
Ain't no need to sweat it, grab on and have fun,
There won't be no remembrin' when next you've begun."
Then he vanished, a wraith fading out in the air,
And that there is his coat, lying over that chair.

And you can believe it, or call me a liar--
While I have me a drink, warm my feet at the fire!


Lyrics submitted by ruben

Last Call song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.