Rather simply put, this track celebrates the unbridled passion and joy that rock music brings to people's lives. It paints a picture of someone who is restless and seeks the thrill of experiencing live rock music, conveying liberation and unity through the power of music by emphasizing how it brings people together to let loose and have a good time. It does well as an enduring tribute to the enduring spirit of rock 'n' roll.
Rather simply put, this track celebrates the unbridled passion and joy that rock music brings to people's lives. It paints a picture of someone who is restless and seeks the thrill of experiencing live rock music, conveying liberation and unity through the power of music by emphasizing how it brings people together to let loose and have a good time. It does well as an enduring tribute to the enduring spirit of rock 'n' roll.
This song explores the theme of despair and the thin line between stability and chaos we live in. Individuals in challenging situations feel trapped and consumed by destructive forces and here the looming danger and desperation that lurks just around the corner, symbolizing the precarious nature of life's struggles is emphasized.
This song explores the theme of despair and the thin line between stability and chaos we live in. Individuals in challenging situations feel trapped and consumed by destructive forces and here the looming danger and desperation that lurks just around the corner, symbolizing the precarious nature of life's struggles is emphasized.
Most likely inspired by singer Biff Byfords father who worked in the mines. This song is not only an ode to better times, and a reflection of past glory, but also a poem of the sands of time and mortality. It talks about mortality, growing old, past glory and despair, and of Britain’s mining and industrial past. The lyrics vividly depict the transition of a father from a coal miner to a twisted and weakened man, paralleling his decline with the aging and deterioration of coal-fueled iron wheels that carried him down into the mines. All of which serves to...
Most likely inspired by singer Biff Byfords father who worked in the mines. This song is not only an ode to better times, and a reflection of past glory, but also a poem of the sands of time and mortality. It talks about mortality, growing old, past glory and despair, and of Britain’s mining and industrial past. The lyrics vividly depict the transition of a father from a coal miner to a twisted and weakened man, paralleling his decline with the aging and deterioration of coal-fueled iron wheels that carried him down into the mines. All of which serves to emphasize the passage of time and the decay of once-thriving industries. In general, it reflects the transient nature of life and work, illustrating how time and changing circumstances can erode even the most robust of individuals and industries.
This song compares the intense feelings of love and desire of someone who brings excitement and passion into their life to a drug. Revolving around themes of desire, liberation, and indulgence, the woman in the song looks normal at work but comes alive on the weekends.
This song compares the intense feelings of love and desire of someone who brings excitement and passion into their life to a drug. Revolving around themes of desire, liberation, and indulgence, the woman in the song looks normal at work but comes alive on the weekends.
The track addresses the topic of environmental destruction and its consequences on the planet, depicting a sense of urgency and a call to action to address the damage being inflicted on Earth. It warns of helping the earth before it's too late and emphasizes the importance of collective action to preserve the Earth for future generations.
The track addresses the topic of environmental destruction and its consequences on the planet, depicting a sense of urgency and a call to action to address the damage being inflicted on Earth. It warns of helping the earth before it's too late and emphasizes the importance of collective action to preserve the Earth for future generations.
This song is heavily reminiscent of classic 80s Saxon, using imagery of eagles flying and driving along open roads on horses of steel to symbolize the unrestricted nature of freedom. The idea is to shed the limitations that hold one back and embrace a life of adventure and self-discovery. It emphasizes the idea of being in control, the exhilarating feeling of liberation and the joy of living life on one's own terms.
This song is heavily reminiscent of classic 80s Saxon, using imagery of eagles flying and driving along open roads on horses of steel to symbolize the unrestricted nature of freedom. The idea is to shed the limitations that hold one back and embrace a life of adventure and self-discovery. It emphasizes the idea of being in control, the exhilarating feeling of liberation and the joy of living life on one's own terms.
I have read the lyrics over and over. I believe the theory that Satan is the song writer is true. Lucifers pride and the lyrics match. There was a reason I never cared for the song when it was popular. Now that I've matured and reread the lyrics yes most definitely the man that started this thread is dead on right. Barry Manilow did not write this song and is best known as a jingle writer. Like a good neighbor State Farm jingle was written by Manilow.
I have read the lyrics over and over. I believe the theory that Satan is the song writer is true. Lucifers pride and the lyrics match. There was a reason I never cared for the song when it was popular. Now that I've matured and reread the lyrics yes most definitely the man that started this thread is dead on right. Barry Manilow did not write this song and is best known as a jingle writer. Like a good neighbor State Farm jingle was written by Manilow.
“The Piper’s Call“ is a clear reference to Pink Floyd‘s legendary debut album The Piper at the Gates of Dawn, with which Syd Barrett created a monument for eternity. In this track David Gilmour warns of the spoils of fame and other confines. A piper’s call is an early expression meaning that the person who pays for someone to do something can decide how it is done. “He he who pays the piper calls the tune.”
“The Piper’s Call“ is a clear reference to Pink Floyd‘s legendary debut album The Piper at the Gates of Dawn, with which Syd Barrett created a monument for eternity. In this track David Gilmour warns of the spoils of fame and other confines. A piper’s call is an early expression meaning that the person who pays for someone to do something can decide how it is done. “He he who pays the piper calls the tune.”
A metaphor for the deadening effects of a life ruined by heavy opiate addiction. 'Can't tell the girls from the boys any more' may refer to the impotence which comes with the territory.
A metaphor for the deadening effects of a life ruined by heavy opiate addiction. 'Can't tell the girls from the boys any more' may refer to the impotence which comes with the territory.
Generally speaking, this track revolves around the haunting concept of predators lurking in the darkness of the night that prey on fear and seek out victims under the cover of shadows. Its central theme revolves around the sense of unease and vulnerability that comes with the unknown and the dangers that lurk in the night. It can also be seen as a metaphor for our primal fear and the instinctual drive to survive in the face of danger, hinting at the timeless and universal fear of the unknown and the unseen.
Generally speaking, this track revolves around the haunting concept of predators lurking in the darkness of the night that prey on fear and seek out victims under the cover of shadows. Its central theme revolves around the sense of unease and vulnerability that comes with the unknown and the dangers that lurk in the night. It can also be seen as a metaphor for our primal fear and the instinctual drive to survive in the face of danger, hinting at the timeless and universal fear of the unknown and the unseen.