All you people up there in City Hall,
You're fuckin' it up for the people that's in the streets.
This is a song for the people in the streets,
Not the people City Hall.
All you motherfuckers in the streets it's time to rise up,
Come along children and fuckin' rise!

Lots of times when me and KG are watchin'
All the fuckin' shit that goes down at City Hall,
We get the feeling we should fuck shit up,
Yeah we should fuckin' start a riot.
A Riot!

We have 'em screaming in the streets,
we have 'em tippin' over shit and breakin' fuckin' windows of small businesses,
and settin' fuckin' fires!
and settin' fuckin' fires!
and settin' fuckin' fires!

[spoken]
And then after the smoke is cleared,
and the rubble has been swept away,
me and KG will peek out our heads.
We've been watching the riots on a monitor twenty floors below sea level,
from a bunker.

We did it Rage-Kage, we beat the bastards of City Hall!
[laughs] But now what will we do?
We must rebuild. But who will lead us in the rebuilding process?
Man, it's got to be someone with the know-how
and the elbow grease to lead us to a new land.
No, not me and KG, we don't have the cognitive capacity to lead...
Alright, we'll do it!

[sung]
We'll lead as Two Kings,
We'll lead as Two Kings.
Ahhhaaa (Two Kings, we'll lead as Two Kings)
Ah-ha ah-how,
We'll lead as Two Kings.

[spoken]
The first decree is to legalize marijuana.
The tyranny and the bullshit's gone on too long.
You old fuckin' shrivs who blocked it's legalization,
you're banished from the land!

[sung]
We'll lead as Two Kings,
We'll lead as Two Kings.
Ahhhaaa (Two Kings, we'll lead as Two Kings)
Ah-ha ah-how,
Lead as Two Kings.

[spoken]
The second decree: no more pollution, no more car exhaust,
or ocean dumpage. From now on, we will travel in tubes!

[sung]
We'll lead as Two Kings, oh, yeah,
We'll fuckin' lead as Two Kings.

[spoken]
Get the scientists working on the tube technology, immediately.
(Tube technology.) Chop, chop, let's go.

[spoken]
Third decree: no more... rich people: and poor people.
From now on, we will all be the same... ummm, I dunno,
I gotta think about that...

[sung]
We'll lead as Two Kings
Ah yeah, ah yeahhhahahaha.
Ha-ha-ho-hee, ha-ha-ho-hee-ha-ha-ho-ho-ho-ho.

[spoken]
[JB:] Oh my God.
[KG:] Ahh... What?
[JB:] Dude, the red phone is flashing.
[KG:] Oh, yeah.
[JB:] Let me scoop that up. Hello? Two Kings.
[KG:] Who is it?
[JB:] What?! No! No fucking way!
[KG:] What?
[JB:] Rage, there's a potato famine in Idaho, you gotta go down there!
[KG:] Oh my God... what?
[JB:] Dude, I gotta stay here!
[KG:] Why do I have to go?
[JB:] Please! Please!
[KG:] Oh, God, okay.
[JB:] Awesome... is he gone? Alright, emergency meeting of Parliament.
All right Parliament, I know this is fucked up,
but Rage, he can't be King anymore.
Dudes, he's encroaching on my decrees!
Seriously, let's make him "Duke," a kick ass "Duke."
Or "leader formerly known as King," but-- uh-oh he's comin' back...

[sung]
We'll lead as Two Kings, oh yes
we'll really lead as Two Kings.

[spoken]
[KG:] Uh, dude?
[JB:] Rage.
[KG:] I went all over Idaho...
[JB:] Yeah?
[KG:] Uh, plenty of potatoes everywhere.
[JB:] What? There was no famine?
[KG:] Yeah, there was no famine, no.
[JB:] Dude.
[KG:] I don't know what's uh...
[JB:] A toast...
[KG:] A toast...
[JB:] Long live the "D."
[KG:] Long live the "D."
[clinking of glasses]
[JB:] Long live me. I'm sorry, I poisoned your wine.
[KG:] What?
[JB:] For the good of the land.
[KG:] You p-- I poisoned yours... huh heh, as well.
[JB/KG:] Noooooooooo!!!!!
No!

[sung]
City, city, city, city, city, city, shitty.
Shitty, city, shitty, shitty, city, city, shitty.
Hall, hall, hall, hall, hall, hall, hall, hall.

People inside me are askin' me to smoke up City Hall,
'Cause no one here is talkin'.
People inside me are askin' me to blow up City Hall,
'Cause no one here is rockin'.

People inside me are askin' me to blow up City Hall,
'Cause everyone is Rock-'em Sock-'em Robots.
Everyone is Rock-'em Sock-'em Robots.
Everyone is Rock-'em Sock-'em GO! OH!

[spoken]
[JB:] Don't, cut that part out.

[KG:] We've got it.

[JB:] Um, do you believe in God?
[KG:] I believe, I believe.
[JB:] You do?
[KG:] I believe in God. I believe in God.
[JB: (laughs)] why'do--
[KG:] I believe in God.
[JB:] Do you?
[KG:] I believe in God.

Malibu Nights
[KG (spoken):]
Yeah, but you didn't fuckin' come out with this (one)--! [cuts off on "one"]
[KG starts playing]
[JB (spoken):] I got some lyrics.
[sung]
Malibu nights, tangerine dreams,
Malibu neighs, Malibu dreams,
Malibu, makin' a poo.
Stinky poo, lookin'd view.
Because it's time for my breakfast,
It's time for some cheese.
It's time for the stink,
time for the breeze,
time for the... hah-or-eeee!


Lyrics submitted by riffic

City Hall Lyrics as written by Thomas Jacob Black Kyle Richard Gass

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

City Hall song meanings
Add Your Thoughts

42 Comments

sort form View by:
  • 0
    General Comment

    lol what the hell??

    daffyon May 22, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.