Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
Take me down to where you hide
Lay me down, lay me down inside
What use now, hold back this pacific tide
Tijuana lady where did you go?
I been chasin' you around old mehico
Gonna find my way back to San Diego
Baby where'd you hide?
Take me down to where you hide
Play me around, leave me all your sadness
Make no sound, 'cause I know you'll lie
Tijuana lady, let's take it slow
I know that I'm no head honcho
I'll keep you warm in my silky poncho
Tijuana lady where did you go
I heard you lost a last sombrero
Tijuana lady which way d'you flow
I'm a el mariachi desperado
Where'd you hide
Tell me where'd you hide
Enchilada desperado days
Senorita come back and meet me again
Buena vista, senorita, yeah
I love you so come back, be with me again
Lay me down, lay me down inside
What use now, hold back this pacific tide
Tijuana lady where did you go?
I been chasin' you around old mehico
Gonna find my way back to San Diego
Baby where'd you hide?
Take me down to where you hide
Play me around, leave me all your sadness
Make no sound, 'cause I know you'll lie
Tijuana lady, let's take it slow
I know that I'm no head honcho
I'll keep you warm in my silky poncho
Tijuana lady where did you go
I heard you lost a last sombrero
Tijuana lady which way d'you flow
I'm a el mariachi desperado
Where'd you hide
Tell me where'd you hide
Enchilada desperado days
Senorita come back and meet me again
Buena vista, senorita, yeah
I love you so come back, be with me again
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Step
Ministry
Ministry
Standing On The Edge Of Summer
Thursday
Thursday
In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
F*ck yeah.