"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Sunset, expect
This to be your last with Our vast return
As Death is set
At three sixes where hill-beacons burn
Darkness, undress
Your descending skirts yield a thirsting altar
Blood-red, yet still unfed
Lips distend ending, time to falter
Welcome arms wide and crucified
The slaughter
Lightening freezes seven
Outtakes from the rape of the world
Sins expelled from Heaven
Now befoul from the bowels of Hell
Where the tragic in theory and practice fell
Last prayers, hang in the air
Each unto their own rag and bone meal saviors
Strung where crippled vultures dare
Golgotha
Coughs another cross to grave God's failure
Once the forests spired
Nurtured in Nature'heart
Now dreat cedars feed the pyres
Need-fires lit for greater harm
As Her children toy with razors
Sightless and deeply scarred
And the moon arose to phase Her
Cracks a grin so wide it hides the stars
And lights Our path
Back through the shattered glass
(We come like drumming thunder
Tides enwreathed in scum and plunder
Kraken-teethed to tear asunder
All those too blind to see)
Where the tragic in theory and practice meet
Deranged, uncaged
We rage like a plague through this age of greed
Sowers of discord, growing wars to reap
A terrible crop to beat a vicious retreat
Scorched Earth, rebirth
Disinterred in the writhe of the lone survivor
Whose worth is worse than the curse
Of Sardonicus choking on his own saliva
Who shares the last laugh now
Dead wedded fates fulfill their vows?
Foot in mouth of sacred cows
Face down in dust and poisoned ground
This to be your last with Our vast return
As Death is set
At three sixes where hill-beacons burn
Darkness, undress
Your descending skirts yield a thirsting altar
Blood-red, yet still unfed
Lips distend ending, time to falter
Welcome arms wide and crucified
The slaughter
Lightening freezes seven
Outtakes from the rape of the world
Sins expelled from Heaven
Now befoul from the bowels of Hell
Where the tragic in theory and practice fell
Last prayers, hang in the air
Each unto their own rag and bone meal saviors
Strung where crippled vultures dare
Golgotha
Coughs another cross to grave God's failure
Once the forests spired
Nurtured in Nature'heart
Now dreat cedars feed the pyres
Need-fires lit for greater harm
As Her children toy with razors
Sightless and deeply scarred
And the moon arose to phase Her
Cracks a grin so wide it hides the stars
And lights Our path
Back through the shattered glass
(We come like drumming thunder
Tides enwreathed in scum and plunder
Kraken-teethed to tear asunder
All those too blind to see)
Where the tragic in theory and practice meet
Deranged, uncaged
We rage like a plague through this age of greed
Sowers of discord, growing wars to reap
A terrible crop to beat a vicious retreat
Scorched Earth, rebirth
Disinterred in the writhe of the lone survivor
Whose worth is worse than the curse
Of Sardonicus choking on his own saliva
Who shares the last laugh now
Dead wedded fates fulfill their vows?
Foot in mouth of sacred cows
Face down in dust and poisoned ground
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I agree that it's most likely "Terminus", because it only makes sense with the song.
I used to believe Dani was repeating "Dominus", but that was just because I wanted to believe I knew what he was saying.