[unknown singer]
Ohhhhh.. senorita.. when the evening sun go down
I come to.. serenade you.. from another part, of town
{*car tires peeling out*}

[Angie Martinez]
Let's get it on it's Angie Mar' reportin live from the streets
From Y.O. to Philly and Harlem to Q.B.
When it drops it's game over, you'll see
Introducing, Jadakiss and Styles P, where you at?

[The L.O.X.]
Yo, yo, yo, yo, yo
You know we still in the hood dog, in front of the store
With the work across the street and the gun in the stall
Soon as somethin happen niggaz want to run to the law
You know the code of the streets, never run to the law
That's why I can't even run 'less I run with a four
or I walk with a three, come and talk to 'em P
You can catch me down bottom with a bird and a glock
On the block makin money where they murder a lot
Or you can catch me up top shootin dice for a yard
I'm talkin six digits, niggaz bet the house or the car
You can catch me hittin the spliff, sick in the pit
On the fiend like I'm missin my shit, they think I'm crazy
Catch me hittin your lady in my Mercedes
Bird on your baby, fuck you I'm keepin it gravy
L.O.X. hold the hammers
like we waitin for screws
With Angie Mar' BLOWIN MOTHERFUCKERS OUT OF THEY SHOES, WHAT?

[Angie Martinez]
Comin live from the streets where some died tryin to eat
From Y.O. to Philly, from Harlem to Q.B.
And when it drops, game over, you'll see
Introducin, Beanie Sigel, tell me how you livin?

[Beanie Sigel]
Aiyyo, I've been kickin murder - since Adidas with thick strings
T.I. sweatsuits, Pumas with thick chains
Four finger rings, black belts with brass names
I was spittin flames since niggaz was pitchin change
I'm a hard knock kiddo, always played the middle
Threw flacks in the crack game, getchu if I can getchu
Since a buck, played the highway, dodgin the troop boys
Jumpin in and out of Coupes, wavin for Duke boys
Always chased a penny, copped quarter waters
Tried to make a dollar chased my pop's boss daughters
Tryin to make my name, global, in all four corners
Philly baller, gamin in all four quarters
Never worked, never will - all my hoes buy my clothes
I can't go broke, never will - all my bros buy my O's
I'm the best thing that linked up with New York since Sprewell
I murder, nuttin further - fill in the details

[Brett]
I'm here, it's over, fuck how why'all feel
When I drop, why'all gon' realize it's all real
Bein left for dead, tied up, smoke 'til I was dried up
So high up, seem like the sky ducked, high what?
Life was rough, but now it's nothin to hide
Used to click and be quick to put this gun to yo' side
Be like, "That chain nice - I like that pal.
Matter fact {*click click*} I'd like that now."
You've got game? Call the name, just spell the name right
Brett, one of the best rappers ever to touch a mic
It's prophecized I'd write, spit scriptures mind blowin
'til my coffin top close and heaven skies open
Fear no man's my slogan, I hope why'all believe
I'm just like you, fear nuttin human that bleeds
My mind breed two movies, six ab-lums, a hundred poems
Thirty R&B joints, I'm beyond the norm, why'all just mad
I'm just glad, got my time to shine
why'all the type to hit three hundred bars and run out of rhymes

[Angie Martinez]
Brett, from my ByStorm family, with Angie
Come live from the streets, from Harlem to Q.B.
And when it drops, game over, you'll see
Introducin, finally, the legendary cool G.

[Kool G. Rap]
It's B.G.S. kid so what you facin? Caps racin
Decapitation twenty buck-fifties and lacerations
Guerilla fam' camouflaged out in the grass waitin
to blass your nation slash like Jason and bash your face in
We ass lacin top bodies and half in the basement
Our style, cast you so bad you'll need plastic replacement
When gats is raised in, fascination blastin and blazin
Evacuation for your whole staff there's gas in the tank and
Gets back abrasions from cap grazin, defy gravitation
Pull my shit back squeeze bust it like masturbation
Hold fort, hold the blow torch, leave your soul scorched
with no remorse, the state of New York, get your shit caught
When niggaz hawk, let the fifth talk
So tell me who's the next man to flip?
I stop the beef shit, with rubber handled grips
Your candle get lit, guerilla shit feed us banana clips
The hammers hit, anything in our range we dismantle it

[Angie Martinez]
Like to say thanks to my street correspondents, for gettin on this
Comin live and direct with no nonsense
Sorry folks for hurtin why'all, the previous has been brought to you
by "Up Close and Personal"


Lyrics submitted by spliphstar

Live From the Streets Lyrics as written by Charles Bernstein Angie Martinez

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Live From The Streets song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.