Classic love story true to his western tx roots. One of my favorites as a story, but I think there are alot of songs that are amazing not even listed on this site. I guess I should figure out how to add them, because I have about 8 REK cd's.
Please don't cry
For the ghost and the storm outside
Will not invade this sacred shrine
Nor infiltrate your mind
My life down I shall lie
If the bogey-man should try
To play tricks on your sacred mind
To tease, torment, and tantalize
Wavering shadows loom
A piano plays in an empty room
There'll be blood on the cleaver tonight
And when darkness lifts and the room is bright
I'll still be by your side
For you are all that matters
And I'll love you to till the day I die
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
Ceiling shadows shimmy by
And when the wardrobe towers like a beast of prey
There's sadness in your beautiful eyes
Oh, your untouched, unsoiled, wondrous eyes
My life down I shall lie
Should restless spirits try
To play tricks on your sacred mind
I once had a child, and it saved my life
And I never even asked his name
I just looked into his wondrous eyes
And said : "never never never again"
And all too soon I did return
Just like a moth to a flame
So rattle my bones all over the stones
I'm only a beggar-man whom nobody owns
Oh, see how words as old as sin
Fit me like a glove
I'm here and here I'll stay
Together we lie, together we pray
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
As long as the hand that rocks the cradle is mine
Mine
Climb up on my knee, sonny boy
Although you're only three, sonny boy
You're - you're mine
And your mother she just never knew
Oh, your mother...
As long...as long...as long
I did my best for her
I did my best for her
As long...as long...as long as...as long
I did my best for her
I did my best for her
Oh...
For the ghost and the storm outside
Will not invade this sacred shrine
Nor infiltrate your mind
My life down I shall lie
If the bogey-man should try
To play tricks on your sacred mind
To tease, torment, and tantalize
Wavering shadows loom
A piano plays in an empty room
There'll be blood on the cleaver tonight
And when darkness lifts and the room is bright
I'll still be by your side
For you are all that matters
And I'll love you to till the day I die
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
Ceiling shadows shimmy by
And when the wardrobe towers like a beast of prey
There's sadness in your beautiful eyes
Oh, your untouched, unsoiled, wondrous eyes
My life down I shall lie
Should restless spirits try
To play tricks on your sacred mind
I once had a child, and it saved my life
And I never even asked his name
I just looked into his wondrous eyes
And said : "never never never again"
And all too soon I did return
Just like a moth to a flame
So rattle my bones all over the stones
I'm only a beggar-man whom nobody owns
Oh, see how words as old as sin
Fit me like a glove
I'm here and here I'll stay
Together we lie, together we pray
There never need be longing in your eyes
As long as the hand that rocks the cradle is mine
As long as the hand that rocks the cradle is mine
Mine
Climb up on my knee, sonny boy
Although you're only three, sonny boy
You're - you're mine
And your mother she just never knew
Oh, your mother...
As long...as long...as long
I did my best for her
I did my best for her
As long...as long...as long as...as long
I did my best for her
I did my best for her
Oh...
Lyrics submitted by weezerific:cutlery, edited by Mellow_Harsher
The Hand That Rocks the Cradle Lyrics as written by Johnny Marr Steven Morrissey
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I think one thing relevant here that no one remarked on was the song "Suffer Little Children" which could have a relation, in terms of Morrisey's emotional outlook, and poetic form, or themes, as you'd have it. "Suffer Little Children" is about the "Moors Murders" (you can look it up on Wikepedia) -- a series of child murders said to have affected Morrisey quite a bit. (One of the lines is, "Oh, Manchester, so much to answer for", and that was his general childhood area. So my take is that this "Cradle" song ties into that... his emotional desire to protect children. And perhaps kind of "cross-pollinated with themes like those in "Pretty Girls Make Graves", which seems to me to be about, one one hand, his heterosexual experiences, and perhaps desire for that...and then, that that wasn't going to be his thing. I don't mean to presume about his sexuality, have never researched it, but have a strong feeling. So, again, the concept I have is that he has a natural, gentle paternalism, but won't be a father, but is horrified by children being hurt. And they just kind of blend into a "non-literal" poem about all these issues. Maybe this is a presumptive reading, I guess only Morrisey can tell anyone. (I assume he hasn't...again, I don't really do research on this stuff, generally.)