This song is Swift's response to the negative reputation the media has given her.
"I can make the bad guys good for a weekend" - the bad guys are the paparazzi to Swift, but are good to the "player" since association with Swift immediately gives publicity. Any publicity is good publicity and Swift knows this.
"You can tell me when it's over" - the tabloids rumor relationships are over before the couple announces it officially.
With this song Swift is portraying the way she is portrayed by the media.
It is a sarcastic jab at how she views herself and how her "ex-lovers" only wanted to be with her to increase their fame.
I applaud the brilliance in writing about how you always write about relationships.
It is expected so Swift is giving the media what they want and profiting off the attention.
Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one
Anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought, "Oh God, my chance has come at last"
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care
I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one
Anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought, "Oh God, my chance has come at last"
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care
I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Lyrics submitted by weezerific:cutlery, edited by Mellow_Harsher, manfromspider
There Is a Light That Never Goes Out Lyrics as written by Johnny Marr Steven Morrissey
Lyrics © Universal Music Publishing Group, Integrity Music, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings

Blank Space
Taylor Swift
Taylor Swift

Anti-Hero
Taylor Swift
Taylor Swift
I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who
Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.

Better Than Feeling Lonely
Olivia O'Brien
Olivia O'Brien
This standalone single is the latest in the artiste's album run out. It was produced by Rogét Chahayed, Taylor Dexter & Wesley Singerman, and released via major streaming platforms on January 1, 2021.

Real Groove
Kylie Minogue
Kylie Minogue
This standalone single marks the latest collaboration between the artists. It was produced by Nico Stadi & Teemu Brunila and released on December 31, 2020.

Breathe
80vii
80vii
This standout song was released to close out the year and was produced in its entirety by 80vii. The track was released via major streaming platforms on December 27, 2020.
" I never never want to go home, because I haven't got one, anymore "
and asks his friend to pick him up and drive him somewhere, he doesn't care. He just wants to be with his friend who he has feelings for, but can't bring himself to tell him for fear of being rejected by him too. He could happily die in this fleeting moment, with the person he wants to be with, as he feels his future is bleak and is hopeless.
and maybe Violent Femmes' debut album too.