Burnin' For You Lyrics
Home in the city
Home isn't pretty
Ain't no home for me
Home on the highway
Home isn't my way
Home will never be
Burn out the night
I can't see no reason to put up a fight
I'm living for giving the devil his due
I'm burning, I'm burning, I'm burning for you
Time is the season
Time ain't no reason
Got no time to slow
Time to play b-sides
Time ain't on my side
Time I'll never know
Burn out the night
I'm not the one to tell you what's wrong or what's right
I've seen suns that were freezin' and lives that were through
I'm burning, I'm burning, I'm burning for you
Burn out the night
I can't see no reason to put up a fight
I'm living for giving the devil his due
I'm burning, I'm burning, I'm burning for you
Okay crack a book. I cant find any acknowledgment of this but The song was obviously written about the book "On the Road" by Jack Kerouac. Its about two guys during the late fifties who spent a lot of time bumming around the country getting into a lot of different shit, doing drugs, and lookin for love. Kerouac even wrote a fictional song that appears in the book at a couple points.... the lyrics are "Home in Missoula, Home in Truckee, Home in Opelousas, Ain't no home for me,
Home in old Medora, Home in Wounded Knee, Home in Ogallala, Home I'll never be" Besides the fact that The opening lyrics of Burnin for You are obviously a rewrite of Kerouac song, the two main characters spend a lot of time waxing philosophic about a lot of things, including TIME, and one of them(Dean Moriarty) has something of a catchphrase. He says "WE KNOW TIME" about 2 dozen times throughout the book. and these guys seem to like to write songs about books. I mean Dont fear the reaper was written about Stephen King's The Stand- and that is proven.
I agree with the reference to Kerouac, but Don't Fear the Reaper can't be based on The Stand, since it precedes The Stand by two years. there is a quote from Don't Fear the Reaper in The Stand. both are excellent either way! :)
I agree with the reference to Kerouac, but Don't Fear the Reaper can't be based on The Stand, since it precedes The Stand by two years. there is a quote from Don't Fear the Reaper in The Stand. both are excellent either way! :)
You're wrong about The Stand (Don't Fear the Reaper came out two years before the book was published), but you might be on to something here. One of the most famous quotes from On the Road goes "...the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones that never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue...
You're wrong about The Stand (Don't Fear the Reaper came out two years before the book was published), but you might be on to something here. One of the most famous quotes from On the Road goes "...the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones that never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!" So there's a repeated "burn, burn burn" that matches the concept of the song lyrics pretty clearly, too.
I think you're onto something here. Buck is applying his life parallel to this Kerouac book. Like a lot of BOC songs, there are swirled trains of thought that are distinct and separate and here would be an example of that. His life of being a touring musician with pressures from the record company AND another thing that is hinted toward in "7 Screaming Diz-Busters", which is yet another song with two or three distinctly different trains of thought swirled together.
I think you're onto something here. Buck is applying his life parallel to this Kerouac book. Like a lot of BOC songs, there are swirled trains of thought that are distinct and separate and here would be an example of that. His life of being a touring musician with pressures from the record company AND another thing that is hinted toward in "7 Screaming Diz-Busters", which is yet another song with two or three distinctly different trains of thought swirled together.
Dude, whoever submitted this song is full of crap. The line goes "I've seen suns that were freezing and lives that were through." Don't butcher the good tunes, my man.
@OS Was Here Thank you for this clarification. I'd read about 20 years ago someone interpreting it as "I'd seen signs of what freezing their eyes would prove" and though I never was able to make out what they were saying since it was first played on the radio and many years playing the album and the song many times, this never fit. What they printed here was even further. Thank for clarifying this now after mishearing (or being unable to hear) the words for what has been now 38 years.
@OS Was Here Thank you for this clarification. I'd read about 20 years ago someone interpreting it as "I'd seen signs of what freezing their eyes would prove" and though I never was able to make out what they were saying since it was first played on the radio and many years playing the album and the song many times, this never fit. What they printed here was even further. Thank for clarifying this now after mishearing (or being unable to hear) the words for what has been now 38 years.
It bears mentioning that BOC have been on tour pretty much steadily since the late 1970s. They never stop touring. Home on the Highway indeed. From what I hear it's the real high way.
@BloodReign Yes, still to this very day, Eric and Buck continue. Just saw an ad for BOC playing locally last night. Touring has always been the top source of income for recording artists, with second being merchandise (unless you're a band like KIss, then THAT is first, at least for the trademark owner(s) within the band) with record sales being at the low end of their income percentage, especially today.
@BloodReign Yes, still to this very day, Eric and Buck continue. Just saw an ad for BOC playing locally last night. Touring has always been the top source of income for recording artists, with second being merchandise (unless you're a band like KIss, then THAT is first, at least for the trademark owner(s) within the band) with record sales being at the low end of their income percentage, especially today.
A guy who drowns his heartaches and sorrows with all sorts of debauchery even though he's still very much in love with some one who walked away...
@xshufflemuffin that would be the unspoken trade-off of the pact this song is about. The normal life, that love of that regular "girl next door" who could never bear the continuous journeying of this hellbound Path, the abandonment of something more beautiful and genuine than anything that will ever be discovered on the Great Adventure ensuing from this Faustian agreement that in the end will leave the author burning for eternity
@xshufflemuffin that would be the unspoken trade-off of the pact this song is about. The normal life, that love of that regular "girl next door" who could never bear the continuous journeying of this hellbound Path, the abandonment of something more beautiful and genuine than anything that will ever be discovered on the Great Adventure ensuing from this Faustian agreement that in the end will leave the author burning for eternity
The line "I've seen signs of what (freezing their eyes) went through" in the lyrics above should be, "I’ve seen suns that were freezing and lives that were through".
My take is that this song, like "In Thee" about being on the road all the time. BOC is known as being on tour forever.
it's just about a guy who thinks he's running out of time to settle down with a girl he loves, and he feels e needs tis girl... does he get her... we don't know.
@Unknown Soldier what you describe would be the unspoken trade-off of the pact this song is about and the "between the lines" sub-narrative. A big trade off "living for giving the devil his due" and the home he will never have, which includes the regular things everyone needs. Anyone who has traveled for their career knows what this feels like, but turn it up many notches of intensity with the trappings of being a touring rock star. It's not really fun or glamorous, especially once reaching your 30s, which Buck would have been by the time he wrote this. The...
@Unknown Soldier what you describe would be the unspoken trade-off of the pact this song is about and the "between the lines" sub-narrative. A big trade off "living for giving the devil his due" and the home he will never have, which includes the regular things everyone needs. Anyone who has traveled for their career knows what this feels like, but turn it up many notches of intensity with the trappings of being a touring rock star. It's not really fun or glamorous, especially once reaching your 30s, which Buck would have been by the time he wrote this. The stories we have heard of with Led Zeppelin and The Who were the stories of very young men who were otherwise BORED and entertaining themselves. That special, sweet regular girl who makes a house a home is never going to wait around for THAT, and often not even for a tame and mature touring musician. She has her needs, too.
[@everyone: sorry for the duplicate comment here]
The normal life, that love of that regular "girl next door" who could never bear the continuous journeying of this hellbound Path, the abandonment of something more beautiful and genuine than anything that will ever be discovered on the Great Adventure ensuing from this Faustian agreement that in the end will leave the author burning for eternity.
I think all the explanations are great. I can see the life on the road, and burnin for the girl and all that. But we can't forget the line "...I'm living for given the devil his due..." That line itself takes the song in an entirely different direction. The possible satanic reference changes "I'm burning for you" into someone so in love they are in hell or going to hell because they loved someone so much. Just a theory to throw out there.
@rwbeckett71 I’m not sure what the singer meant when he said that line. I see “ "...I'm living for given the devil his due..." as a way of saying, I’m paying karma for the life I choose.
@rwbeckett71 I’m not sure what the singer meant when he said that line. I see “ "...I'm living for given the devil his due..." as a way of saying, I’m paying karma for the life I choose.
We are all “living for given the devil his due”, until we gain self awareness and heal core wounds. Some people stay trapped in toxic energy their whole life.
We are all “living for given the devil his due”, until we gain self awareness and heal core wounds. Some people stay trapped in toxic energy their whole life.
@rwbeckett71 "I'm living for giving the devil his due" means he's living life to the fullest, he's not holding back or being good to get into heaven, doing pre-marital sex, maybe adultery, doing drugs, other standard rock musician things that would keep you out of heaven ...
@rwbeckett71 "I'm living for giving the devil his due" means he's living life to the fullest, he's not holding back or being good to get into heaven, doing pre-marital sex, maybe adultery, doing drugs, other standard rock musician things that would keep you out of heaven ...
No one give kudos to Randy91??!!! WTF - scroll down and read it - it's very interesting that Buck Dharma and Richard Meltzer paid a tribute to Kerouac and it totally goes under the general radar of BOC fans. (well, according to this forum anyways.) BOC and Steely Dan have much in common - that being their lyrics are very cool, very intelligent and perhaps a bit of a challenge to tap for a true meaning - you really have to do your homework. Also, I can't believe that no one posited the notion that Burnin' For You may loosely tip its hat to Robert Johnson. A historical figure as much as mythological legend. The "b-side" line could refer to the fact that Robert Johnson did 2 takes of every song he recorded. Ripe stuff for BOC.
@romefalls yes, Randy91 nails it for this song (and I left comment there) but as for DFTR, the Stand came out two years afterwards and made reference to the song, not the other way around. It may not be Robert Johnson he is making reference to, but instead doing the same as what Robert Johnson became famous for, even more than his musical legacy. Where DFTR is clearly about the subject of suicide, this one is clearly about a Faustian pact, but then swirled together with a second train of thought regarding the author's own life being parallel Keruac's "On...
@romefalls yes, Randy91 nails it for this song (and I left comment there) but as for DFTR, the Stand came out two years afterwards and made reference to the song, not the other way around. It may not be Robert Johnson he is making reference to, but instead doing the same as what Robert Johnson became famous for, even more than his musical legacy. Where DFTR is clearly about the subject of suicide, this one is clearly about a Faustian pact, but then swirled together with a second train of thought regarding the author's own life being parallel Keruac's "On the Road" with the continuous touring that is required as a result of the pact
And the correct line is "time to play B Sides", the things you used to have in the vinyl age. Kids, ask yer parents...
Buck Dharma now mimes the action of flipping a record when he sings that line, just to make sure.
@RedKing As printed, I believe you are right. However, it could also mean time to play besides, as in devil's advocate (playing with the "devil" theme here). But that would be implied, an extension of what is the beauty of BOC's writing style - they intentionally load their lyrics with entendre, ambiguity, swirls of multiple trains of thought (this one has at least two ideas swirled together) leaving doors wide open to interpretation and imagination.
@RedKing As printed, I believe you are right. However, it could also mean time to play besides, as in devil's advocate (playing with the "devil" theme here). But that would be implied, an extension of what is the beauty of BOC's writing style - they intentionally load their lyrics with entendre, ambiguity, swirls of multiple trains of thought (this one has at least two ideas swirled together) leaving doors wide open to interpretation and imagination.
This song is actually about going on the road during tours.