Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
My father sits at night with no lights on
His cigarette glows in the dark
The living room is still
I walk by, no remark
I tiptoe past the master bedroom where
My mother reads her magazines
I hear her call sweet dreams
But I forget how to dream
(How to dream, how to dream)
But you say it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
My friends from college, they're all married now
They have their houses and their lawns
They have their silent noons
Tearful nights, angry dawns
Their children hate them for the things they're not (things they'll never be)
They hate themselves for what they are
And yet they drink, they laugh
Close the wound, hide the scar
But you say it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
You say we can keep our love alive
Babe, all I know is what I see
The couples cling and claw
And drown in love's debris
You say we'll soar like two birds through the clouds
But soon you'll cage me on your shelf
I'll never learn to be just me first
By myself
Well okay, it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
We'll marry
His cigarette glows in the dark
The living room is still
I walk by, no remark
I tiptoe past the master bedroom where
My mother reads her magazines
I hear her call sweet dreams
But I forget how to dream
(How to dream, how to dream)
But you say it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
My friends from college, they're all married now
They have their houses and their lawns
They have their silent noons
Tearful nights, angry dawns
Their children hate them for the things they're not (things they'll never be)
They hate themselves for what they are
And yet they drink, they laugh
Close the wound, hide the scar
But you say it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
You say we can keep our love alive
Babe, all I know is what I see
The couples cling and claw
And drown in love's debris
You say we'll soar like two birds through the clouds
But soon you'll cage me on your shelf
I'll never learn to be just me first
By myself
Well okay, it's time we moved in together
And raised a family of our own, you and me
Well, that's the way I've always heard it should be
You want to marry me
We'll marry
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
almost suicidal- slow depressing tragic -sounds like a funeral dirge.Carly introduced this as a weird song about marriage.