0:00 - 2:00:

Subject 006, having escaped The Laboratory, finds himself in nature for the first time. Surrounded first by trees, he follows a path and steps into a field. He is in awe of it. His thoughts are erratic from excitement.

Voice Feed:

So now I fall
All the sudden
And I fall into
the dirt, the sky, the wind, the light, the palisades
Oh, the thundermouth!
The thunder … it's open -
An animal is startled off
All in unison
but it's all still separate
Multum in parvo
Am I apart of this?
Or am I foreign?
An alien component?
No mind.
Gorgeous colors color my eyes.
Gorgeous color my eyes.
I'm alone.
And I'm a part of this, too.
I am what I choose.
Today.

2:00 - 3:35:

Subject 006 bursts into a run. He smells flowers, runs his hands along trees, stumbles down hills, smiles at the birds and other wildlife.

3:35 - 5:30:

Subject 006 experiences exhaustion for the first time. New to the sensation, he wonders whether he's breaking. He rests against a tree and falls asleep.

Voice Feed:

Limbs, warm and leaden.
Pulse is running from my wrists to heaven.
My heartbeat in the clouds.
All is slowing down, here on the ground.
I am very well spent.
So. Am I breaking?
Is this normal?
Catch my breath.
Take a rest.
My eyelids tumble down.
Just a minute.
Mr. Tree, can I lay with you awhile?

5:30 - 6:53:

Subject 006 is asleep, and experiences his first dream. It is full of memories that are familiar, but he cannot place them. They feel like a part of him, but he can't say why. He wonders if he inherited them from his “father”, Atticus.

6:53 - 7:35:

Subject 006 is startled awake. He opens his eyes to a long procession of people. They are walking through the field single file. They ask Subject 006 if he is in line. He doesn't understand the question, but decides to follow the group. The men and women in line are disheveled, tired, sad, or angry. The leads to a crowd in front of an isolated stage.

Voice Feed:

Are you in line?
Am I in line?

7:35 - 8:32:

A man in white clothing steps onto the stage, his arms spread wide. The people begin to sing and chant as he approaches. Behind him are four cloaked figures. They walk strangely. The Mad Preacher hushes the crowd and says:

Voice Feed:

Come my faithless, come my mad!
Bring your broken hearts!
Bring you missing teeth in bags!
Oh, you know you're never gonna use them old parts!
Count your curses, count them twice!
We're all innocent!
So come and get what you get!

8:32 - 9:00:

From behind The Mad Preacher, the four figures shed their hoods. They are not men, but clusters of small, nearly featureless creatures. They tear the followers to pieces, stuffing their severed body parts into bags. No one resists. The Mad Preacher smiles. Subject 006 is horrified. The sacrifice is brutal and quick. He yet again runs.

9:00 - 9:42:

Subject 006 is a good distance from the cult and their stage. He catches his breath beneath a tree, wondering about what he just witnessed. He's left shaken and unnerved. He hopes that the people are all okay.

Voice Feed:

What was that all?
Oh, what went wrong?
Who were all those bodies?
Cold and colorless
But moving
Tongues and limbs
Toward the monster
And now they're gone
I don't know where to
But I hope they're happy
All in unison.
But there's that sound again …

9:42 - End:

Subject 006 hears the creatures again. He runs, this time even faster.
Later, he descends a hill and finds the entrance to an abandoned subway tunnel, disused, dirty, and lit only by blinking safety lights. He steps inside and follows it into The City.


Lyrics submitted by Cyberghost

Act 2 - The Fields song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.