The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Stick and stones, shattered bones
But in the end they always heal
Take a sip, make a joke
Turn on the pain, but this is real
Every time I look in the mirror
All your words I keep on hearing
Are tearing me apart
Open names, sweeter games
What you did behind my back
Memories echoing
Making sense, now playing back
Every time I look in the mirror
All your words I keep on hearing
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back
I think you might've said too much
Man you really messed me up
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
I can't glue back broken glasses
But I can fix what you were smashing
Don't apologize again
I won't make a frozen bet
No, no, no
Stick and stones, shattered bones
But in the end they always heal
All the lies, you crossed the lines
You showed me how you really deal
Every time I look in your way
I can see my future clearer
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back (you can't take it back)
I think you might've said too much
Man you really messed me up (ooh you messed me up)
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
Why'd you take it all the way? (Oh why)
Why'd you take it all the way? (Tell me why)
Passed the point of no return
Why'd you take it all the way? (Oh why)
Why'd you take it all the way? (Tell me why)
Passed the point of no return
Why'd you take it all the way? (Why'd you take it all the way?)
Why'd you take it all the way? (Take it all the way?)
Passed the point of no return
Why'd you take it all the way?
Why'd you take it all the way?
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back
I think you might've said too much
Man you really messed me up
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
But in the end they always heal
Take a sip, make a joke
Turn on the pain, but this is real
Every time I look in the mirror
All your words I keep on hearing
Are tearing me apart
Open names, sweeter games
What you did behind my back
Memories echoing
Making sense, now playing back
Every time I look in the mirror
All your words I keep on hearing
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back
I think you might've said too much
Man you really messed me up
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
I can't glue back broken glasses
But I can fix what you were smashing
Don't apologize again
I won't make a frozen bet
No, no, no
Stick and stones, shattered bones
But in the end they always heal
All the lies, you crossed the lines
You showed me how you really deal
Every time I look in your way
I can see my future clearer
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back (you can't take it back)
I think you might've said too much
Man you really messed me up (ooh you messed me up)
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
Why'd you take it all the way? (Oh why)
Why'd you take it all the way? (Tell me why)
Passed the point of no return
Why'd you take it all the way? (Oh why)
Why'd you take it all the way? (Tell me why)
Passed the point of no return
Why'd you take it all the way? (Why'd you take it all the way?)
Why'd you take it all the way? (Take it all the way?)
Passed the point of no return
Why'd you take it all the way?
Why'd you take it all the way?
I think you might've said too much
Sorry isn't good enough
I thought that you would call this love, love
No, you can't take it back
I think you might've said too much
Man you really messed me up
I thought that you would call this love, love
No, you can't take it back
But I think you might've said too much
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.