"To Be Alone" as written by and Andrew Hozier Byrne....
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Lyrics submitted by basser, edited by randy11242, teaspill
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To have someone kiss the skin that crawls from you"
Such great writing.
Never feel too good in crowds,
With folks around, when they're playing,
The anthems of rape culture loud,
Crude and proud creatures baying.
All I've ever done is hide,
From our times when you're near me,
Honey, when you kill the lights,
And kiss my eyes,
I feel like a person for a moment of my life.
Disliking people being jackasses ("baying"), and responding with a desire for escapism ("hide").
While he's with his lover, the exposing light of the world is darkened, his eyes are kissed, and he doesn't have to see the lewd and cruel actions of his fellow man any longer.
For the brief moment of time that he doesn't see the disgusting aspects of human behavior, he can feel like a part of the human race ("like a person"), rather than his prior state of revolted alienation.
You don't know what hell you put me through,
To have someone kiss the skin that crawls from you,
To feel your weight in arms I'd never use,
It's the God that heroin prays to...
It feels good, girl it feels good,
It feels good, it feels good,
It feels good, girl it feels good,
Oh, to be alone with you.
While having sex, if foreplay and teasing are protracted, the desire for consummation can become intense enough to produce actual, physical pain ("hell", "skin that crawls from you", reading "from" as "because of"). The "kiss" is likely a euphemism for the release of intercourse. After orgasm, one tends to feel lethargic, satiated, and disinclined to do much other than hold one's partner ("your weight in arms I'd never use").
For a heroin addict, waiting too long between indulgences produces emotional turmoil, intense cravings, and a good deal of physical discomfort, including skin that quite literally feels like it's crawling off of one's body ("hell", "skin that crawls"). The "kiss" here would be the act of using the drug. While high, one tends to feel lethargic, satiated, and disinclined to move ("arms I'd never use"), a heroin user also quite literally feels like one's limbs are heavy while high ("to feel your weight").
Having sex and using heroin are being set up as parallel, possibly even equivalent, experiences.
There are questions I can't ask,
Now at last the worst is over,
See the way you hold yourself,
Reel against your body's borders.
In this reading, one of the two lovers is a heroin addict.
Now, when an addict says they need enough opiates to "hold" them, what they mean is that they intend to use enough to keep the physical sickness away, but not enough to be high. My understanding is that's still an uncomfortable state, but it at least keeps them from vomiting all over the floor and lets them function.
He doesn't ask what she's doing, or why, as she's getting and using drugs. "The worst", the sickness, is over when she uses. "See the way you hold yourself,/Reel against your body's borders" can be taken here to indicate she's used much more than she'd need to just hold herself, she is reeling.
There's a nice bit of punning if one presumes this interpretation: Instead of having him hold her, she is "hold[ing] herself" by taking drugs, and gaining the pleasure that physical interaction could bring alone instead of with him.
I know that you hate this place,
Not a trace of me would argue,
Honey, we should run away, someday,
Our baby and her momma and the damaged love she makes.
She's just used. He says, "I know that you hate this place". Consider how the song begins: Voicing a desire for escapism. Now consider the proposed equivalence between sex and drugs: They are both methods of escaping unpleasant realities. He concludes that in spite of sex being available, she clearly needs another escape, because she just used one.
Hence, he points out that they both "hate" and need to escape "this place". Positing them both escaping together offers her another escape, as well as allowing him to continue to share something (their need to escape) with her while she's escaping him (by getting high). This while voicing a desire to find a place or time when neither of them will need to run away anymore.
Another little ambiguity: There's no conjunction between the last two lines of this verse. It could be read as him acknowledging that he needs to run away from or with his lover and child. (I err towards with, but I like the pall of doubt the absence grants the line.)
But I don't know what else that I would do,
Than try to kiss the skin that crawls from you,
Than feel your weight in arms I'd never use,
It's the God that heroin prays to...
The differences between this verse and the previous iteration are huge. Instead of being kissed, he is now "try[ing]" to kiss her. Instead of being in a hell that will soon be ameliorated, he is uncertain what he should do ("I don't know what else"). Helplessly, he tries to kiss her skin. But her skin's already crawling from her: a withdrawal symptom this time, rather than the pleasantly painful sensation of the first iteration. "To feel your weight in arms I'd never use" I read here as "to hold you with my arms even though I can't use them to make you feel better".
It feels good, girl it feels good,
It feels good, it feels good,
It feels good, girl it feels good,
Oh, to be alone with you.
One of the reasons I like this interpretation is that it allows for so many ways to be alone.
When they're alone together, they're apart from the rest of the world.
When she's using, she's alone because she's escaped even from him. At that point, he tries not to be alone by focusing on what they share even when she's high: A desire to escape and hide from the world.
When she's withdrawing at the end, she's even more alone, because she's in a hell he isn't experiencing. At that point, he is finally inescapably alone, because she is suffering, completely disconnected from him, and there is nothing he can do. All the connections are broken, one by one.
It's pretty.
And the questions he can't ask-- you don't ask a victim about what happened, how it felt, what goes through their mind.. You just can't ask those things... But the worst is over now, they're finally making some progress of getting back to "normal" with each other. And he knows that she hates this place, she doesn't feel safe, so he's willing to run away with her and start somewhere new that doesn't have these bad memories attached to it. And someday he can see her finally being able to have a child with him. One day. That she may always be damaged but that she'll still be able to love.
And the weight in arms that I would never use-- she doesn't allow him to touch her. But he wants to hold her in his arms after he kisses her. But she doesn't allow these things-- otherwise it would send her back into those memories. But he takes what he can, to have her show any type of physical touch feels good.
Anyway. That's my take on it.
Hozier mentions in 'Track by Track' (on youtube) that it's about someone loving a damaged person.
I think your comments are spot on.
"Never feel too good in crowds, with folks around, when they're playing
The anthems of rape culture loud, crude and proud creatures baying
All I've ever done is hide, from our times, when you're near me"
He hates being in crowds when they are playing songs that promote rape culture. He hides from "our times" (rape culture) when his girlfriend is near him - because his girlfriend has been raped. He hates that society potentially plays a hand in the violence women face. This bothers him and keeps him up at night.
"Honey, when you kill the lights, and kiss my eyes
I feel like a person for a moment of my life"
Though he feels upset/angry about what happened, he feels normal again when his girlfriend turns off the lights, presumably to be intimate with him. Sex is (supposed to be) a normal, pleasurable experience - he feels like a person again.
"But you don't know what hell you put me through
To have someone kiss the skin that crawls from you
To feel your weight in arms I'd never use
It's the god that heroin prays to"
His hell is knowing that someone assaulted her. The second line is tricky, but I think kiss means something more sexual than kiss. "the skin that crawls from you" - this makes me think the act was not consensual, and she was crawling away, begrudgingly letting it happen, whatever. Third line - It's hell for him to feel her weight and imagine someone using their arms to pin her down (he’d never use his arms). I'm not sure what to make of the fourth line in this interpretation. Maybe the rapist was on drugs, or drugged her.
It feels good, girl, it feels good
It feels good, girl, it feels good
It feels good, girl, it feels good
Oh to be alone with you
Despite everything, he loves being alone with her and he still finds great joy and passion in their relationship.
"There are questions I can't ask, Now at last, The worst is over
See the way you hold yourself, Reel against, Your body's borders
I know that you hate this place, Not a trace, Of me would argue
Honey, we should run away, Oh someday
Our baby and her momma, And the damaged love she make"
He does not want to ask questions about the details of what happened to her. Though the aftermath of rape is difficult the worst (the actual assault) is over. He sees that she holds herself differently, he sees the physical and psychological toll that the rape had on her. (She reels against her body's borders - she can't get the memory out of her head, she feels dirty, she wants to break free of her body). She hates where she is - in the immediate aftermath of a personal tragedy. He hates it too. He says they should run away someday.
When he says "our baby and her momma and the damaged love she make" - this could indicate a pregnancy? He says our baby, meaning he will care for it as his own, and her momma (his girlfriend) and the damaged love she make. (the "love" that brought the baby into the world was very damaged indeed). However, if she became pregnant after a rape that would bring a whole new element into the song that I hadn’t really thought of.
“But I don't know what else that I would give
Than try to kiss the skin that crawls from you
Then feel your weight in arms I'd never use
It's the god that heroin prays to”
She is starting to pull away and retreat into herself. She feels tainted, unfit for a sexual relationship. He doesn’t know what to do or what to give, than to keep trying (in this case not in a forceful way).
It feels good, girl, it feels good
It feels good, girl, it feels good
It feels good, girl, it feels good
Oh to be alone with you
Hozier begs to differ. "it's the god that heroin prays to" is a statement that being with his lover is so fulfilling and consuming that the PLEASURE of THAT is something to which even fucking heroin can't hold a candle.
the references to "rape culture" and "crowds" and "hate this place" and etc are all an expression of deep dissatisfaction with a spiritually bankrupt society. "I feel like a person for a moment of my life" because we're all reduced to automatons and cogs in the machine, and when he's with his girl, instead, he feels HUMAN. so, this one is about pretty much exactly the same thing as "Take Me to Church" -- the redemptive power of erotic love -- but TMtC is an indictment of religion, and this is an indictment of materialism.
"kiss the skin that crawls from you" is about peeling away the layers of masks and habits and identity markers to reveal one's true self, one's soul, to someone trusted, and the "questions I can't ask" are all the little confidences between intimates that are meaningless if not given freely.
youtube.com/…
It's part of a whole phrase
"But I don't know what else that I would give
Than try to kiss the skin that crawls from you
Then feel your weight in arms I'd never use
It's the god that heroin prays to"
He doesn't know what he'd give to kiss her skin and then hug her (feel her weight) in the arms that he never uses. It's basically him saying he's lonely and he'd give anything to have intimacy, and that intimacy is so great and so immense that the feeling of heroin would pray to it. So basically it can't compare to the (good) feeling that comes from heroin.
i think his Girlfriend is a herion addict and when you are high you nodd out and hes probby holding her in his arms and feeling her nod out and all her weight being felt in his arms. arms he's never use to shoot up into. her ritual in getting it cooking it doing it is like a Christian or Catholics Sunday rituals of fasting or church. but her "ritual" is to the god of heroin that she "prays" too.