In Hell Is Where She Waits for Me

This song is about the Black Dahlia Murder case. Just a detailed description of the killing in the point of view of the killer. Saw Trevor talk about this in a interview

The other explanation is so obvious I wouldn't say it touches the actual meaning of the song so I will attempt to elaborate on it. Yes, this one is about The Black Dahlia case.

But beyond that, Trevor assumes the sexually perverse emotional perspective of the killer.

The first verse describes how he imagines the killer would have felt had he attended her funeral services (it has been shown that killers will do things such as revisit the crime scene, or attend the victims funeral services for personal gratification).

In the next verse, the killer is reveling in his intimate knowledge of the wounds inflicted on the woman's body (given that the bodies severe mutilation would have obviously warranted a closed casket service). Of particular mention is the lateral bisection of the corpse (an operation requiring advanced anatomical knowledge). The next part may attempt to shed light on the motivation behind the crime, being that Elizabeth hypothetically used sexuality to charm men and manipulate her social situation to meet important Hollywood types.

He then makes the observation that, given the high profile nature of the crime and subsequent media frenzy, he had, in a twisted sense given her the fame she wanted. However, this was achieved in an inverted manner, by destroying her sexuality through violence and degradation rather than elevating her beauty to something of worship through celebrity.

The only other part that doesn't appear to be poetic device would be the reference to the "leaving legend to fear" part, as the murderer was never identified or apprehended.

However, in recent years, much speculation has centered on Los Angeles medical professional George Hodel, a Hollywood socialite who had personally known Elizabeth Short. Hodel had been a highly a skilled surgeon and aficionado of violent, misogynistic art. Credited with being a musical prodigy and genius in his own right, Hodel never accomplished anything that distinguished him. This among, many other concomitant factors has led George's own son, a retired homicide detective, to claim that his father was in fact the Black Dahlia Murderer, and Elizabeth Short's dismembered and posed body to be his surrealist masterpiece.

This is an actual quote from Trevor to Decibel Magazine, where he explained each on the tracks on Everblack.

The opening sequence of this song puts the listener at Elizabeth Short’s funeral, looking over the shoulder of her killer, who is silently (and anonymously) in attendance. It tells the tale of his brief love affair with The Black Dahlia and his motives for cutting her down in such a grisly, vengeful manner. I’ve wanted to do a song dealing with the actual murder for some time; I thought it would be nice gesture for the fans. When I heard that somber intro and thought immediately of funeral procession, I figured now was time as there was no better way to reassure fans that we haven’t strayed from our sound or intent (nor been negatively affected by the line-up changes) than to drop an actual Black Dahlia Murder song on them. It even has that old Unhallowed feel to it. The song is pretty manic vocally and is gonna be doozy to perform live. Better start my tongue push-ups!