Everybody get up
Everybody get up

Hey, hey, hey
Hey, hey, hey (ah)
Hey, hey, hey (woo)
Turn me up

If you can't hear, what I'm tryna say (hey girl, come here)
If you can't read, from the same page
Maybe I'm going deaf (hey, hey, hey)
Maybe I'm going blind (hey, hey, hey)
Maybe I'm out of my mind (hey, hey, hey)
Everybody get up

Okay, now he was close
Tried to domesticate you
But you're an animal
Baby, it's in your nature (meow)
Just let me liberate you (hey, hey, hey)
You don't need no papers (hey, hey, hey)
That man is not your maker (hey, hey, hey)
And that's why I'm gon' take you (everybody get up)

Good girl
I know you want it (hey)
I know you want it
I know you want it
You're a good girl (oh yeah)
Can't let it get past me (oh yeah)
You're far from plastic (alright)
Talkin' about getting blasted
I hate these blurred lines
I know you want it (hey)
I know you want it (oh, oh, yeah yeah)
I know you want it
But you're a good girl (hey)
The way you grab me
Must wanna get nasty (hey, hey, hey)
Go ahead, get at me
Everybody get up (come on)

What do they make dreams for?
When you got them jeans on? (Why?)
What do we need steam for?
You the hottest bitch in this place
I feel so lucky (hey, hey, hey)
You wanna hug me (hey, hey, hey)
What rhymes with hug me? (Hey, hey, hey)
Hey (everybody get up)

Okay, now he was close
Tried to domesticate you
But you're an animal
Baby, it's in your nature (uh huh)
Just let me liberate you (uh huh)
You don't need no papers (uh huh)
That man is not your maker (uh huh)
And that's why I'm gon' take you (everybody get up)

Good girl
I know you want it
I know you want it (hey)
I know you want it
You're a good girl
Can't let it get past me (hey, hey)
You're far from plastic (oh)
Talkin' about getting blasted (everybody get up)
I hate these blurred lines (hate them lines)
I know you want it (I hate them lines)
I know you want it (I hate them lines)
I know you want it
But you're a good girl (good girl, yeah)
The way you grab me (Hustle Gang, homie)
Must wanna get nasty (lego) (ay say Rob)
Go ahead, get at me (let me holla at 'em real quick)

One thing I ask of you (okay)
Let me be the one you back that ass up to (come on)
Go from Malibu to Paris, boo (yeah)
Had a bitch, but she ain't bad as you (uh-uh, ey)
So, hit me up when you passin' through
I'll give you something big enough to tear your ass in two
Swag on 'em even when you dress casual (oh, oh, oh)
I mean, it's almost unbearable (ey, ey, ey, ey) (everybody get up)
In a hundred years not dare would I
Pull a Pharcyde, let you pass me by (uh-uh, uh-uh, uh-uh)
Nothin' like your last guy, he too square for you
He don't smack that ass and pull your hair for you (like that)
So I'm just watchin' (just watchin') and waitin' (and waitin')
For you to salute the true big pimpin'
Not many women can refuse this pimpin' (hey, hey, hey, hey, hey, hey)
I'm a nice guy, but don't get confused, get pimpin' (everybody get up)

Shake your rump
Get down
Get up
Do it like it hurt
Like it hurt
What, you don't like work?
Hey (everybody get up)

Baby, can you breathe?
I got this from Jamaica
It always works for me
Dakota to Decatur (uh huh)
No more pretending (hey, hey, hey) (uh huh)
'Cause now your winning (hey, hey, hey) (uh huh)
Here's our beginning (hey, hey, hey) (uh huh) (uh)
I always wanted a

You're good girl, oh yeah-yeah (everybody get up)
I know you want it (hey)
I know you want it
I know you want it
You're a good girl (yeah yeah)
Can't let it get past me (oh yeah)
You're far from plastic (alright)
Talk about getting blasted
I hate these blurred lines (everybody get up)
I know you want it (hey)
I know you want it (oh oh, yeah yeah)
I know you want it
But you're a good girl (hey, hey)
The way you grab me
Must wanna get nasty (hey, hey, hey)
Go ahead, get at me

Everybody get up
Everybody get up

(Hey, hey, hey)
(Hey, hey, hey)
(Hey, hey, hey)


Lyrics submitted by mike, edited by EmilyMay, Amberley, thatismahogony, googsey

Blurred Lines Lyrics as written by Clifford Harris Pharrell Williams

Lyrics © Regard Music, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Blurred Lines song meanings
Add Your Thoughts

52 Comments

sort form View by:
  • 0
    General Comment

    In my previous comment I obviously didn't make myself clear (!)

    This song is popular BECAUSE it advocates sexual roleplay scenes - and sexual truthfulness.
    As I said before, it is saying - abandon your sexually-unadventurous, meek, timid, "good girl" persona. Admit publically that you're into fetish sex - rough treatment, discipline, simulated-rape etc etc. Because I've recognised the signs that that's what youre' into (that's what "I know you want it" means).

    For a great many of us, "vanilla sex" is not just boring - it is disgusting in its implications. When people speak of "making love" they speak of psychological violence, governance. No male person (unless they are insane) CHOOSES to suffer the indignity of being governed, by anyone - they endured enough of that as children. What right-wing feminazi-types consider "degrading" sexual acts are actually the only honest, unpretentious ones, because however phsyically "violent" some of them are, there is no "psychological violence" (by deception, by falsity) attached to them. Enough women know that.

    imrazoron November 26, 2014   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Magical
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.