This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
It begins when we chain ourselves to the ATMs
Make a mess when we pitch our tents on the statehouse steps
Now we're taking it, now we're taking it back
Now we're taking it, now we're taking it back
For the greater good
Goddamn Robin Hoods
Fan the flames, serve them cocktails down at the Stock Exchange
Hear the screams, take our baseball bats to the limousines
They'll be talking us, they'll be talking us up
They'll be talking us, they'll be talking us up
To the journalists
If there's any left
You know the Sixties proved that change is hit or miss
Every bloody pacifist concedes the truth
If one must die to save the ninety-nine
Maybe it's justified
The left is right
We're doomed
Make a mess when we pitch our tents on the statehouse steps
Now we're taking it, now we're taking it back
Now we're taking it, now we're taking it back
For the greater good
Goddamn Robin Hoods
Fan the flames, serve them cocktails down at the Stock Exchange
Hear the screams, take our baseball bats to the limousines
They'll be talking us, they'll be talking us up
They'll be talking us, they'll be talking us up
To the journalists
If there's any left
You know the Sixties proved that change is hit or miss
Every bloody pacifist concedes the truth
If one must die to save the ninety-nine
Maybe it's justified
The left is right
We're doomed
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More Featured Meanings
When We Were Young
Blink-182
Blink-182
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
I love this, Conor is showing his support for the occupy movement,
This line "If one must die to save the ninety-nine Maybe it’s justified"
Occupy's 99% vs 1% way of framing the debate about inequality is really interesting, it's great to hear it put in these utilitarian-esque terms.
Payola might be the best Protest album ever, what an opener.
It seems to me that Conor is protesting violence in all its forms.
The one percent will be telling reporters about the violent crime committed by the protesters, but the incredibly biased media just won't report on it.
This is sarcasm. Those that call themselves pacifists advocate violence against the wealthy. Its incredible how eloquently conor points out the inconsistency of many that call themselves pacifists.
This advocacy of the initiation of the use of force will not end well.
@chaskin104 This annoyed me so much I had to make an account. If you knew anything about the band's political leanings you'd know they were in favour of the protestors and that the message of the song is that 'the left' is right to protest, because otherwise the '1%' are held even more unnacountable and we're all screwed.