"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
THE TWO MAGICIANS
The lady sits at her own front door
As straight as a willow wand
And by there come a lusty smith
With his hammer in his hand
Crying bide lady bide
For there's a nowhere you can hide
For the lusty smith will be your love
And he will lay your pride.
Why do you sit there lady fair
All in your robes of red
I'll come tomorrow at this same time
And have you in me bed
Crying . . .
Away away you coal black smith
Would you do me this wrong
For to think to have me maiden head
That I have kept so long
I'd rather I was dead and cold
And me body laid in the grave
Than a lusty, dusty, coal black smith
Me maiden head should have
Crying . . .
So the lady, she curled up her hand
And swore upon the mold
That he'd not have her maiden head
For all of a pot of gold.
But the blacksmith he curled up his hand
And he swore upon the mast
That he would have her maiden head
For the half of that or less
Crying . . .
So the lady she turned into a dove
And flew up into the air
Ah, but he became an old cock pigeon
And they flew pair and pair
Cooing . . .
So the lady she turned into a mare
As dark as the night was black
Ah, but he became a golden saddle
And he clumb upon to her back
Itching . . .
So the lady she turned into a hare
And ran all over the plane
Ah, but he became a greyhound dog
And ran her down again
Barking . . .
So the lady she turned into a fly
And fluttered up into the air
Ah, but he became a big, hairy spider
And dragged her into his lair
Spinning . . .
So the lady she turned into a sheep
Grazing on yon common
Ah, but he became a big horny ram
And soon he was upon her.
Bleating . . .
So she turned into a full dress ship
And she sailed all over the sea
Ah, but he became a bold captain
And aboard of her went he
Ordering . . .
So the lady she turned into a cloud
Floating away in the air
Ah, but he became a lightning flash
And zipped right into her
Shocking . . .
So she turned into a mulberry tree
A mulberry tree in the wood
Ah, but he came forth as the morning dew
And sprinkled her where she stood.
Dripping . . .
So the lady she ran into the bedroom
And she changed into a bed
Ah, but he became a green coverlet
And he gained her maiden head
And once she woke he took her so
And still he bad her bide
And the lusty smith became her love
For all of her mighty pride.
This song is a derivative of Child Ballad 44, with a tune by
A. L. Lloyd. It was recorded by John Roberts & Tony Barrand on
Dark Ships in the Forest, Folk Legacy 65 in the key of C.
Also by Frankie Armstrong on Bird in the Bush and by Carthy
Child #44
Filename[ MAGICN2
DC
===DOCUMENT BOUNDARY===
The lady sits at her own front door
As straight as a willow wand
And by there come a lusty smith
With his hammer in his hand
Crying bide lady bide
For there's a nowhere you can hide
For the lusty smith will be your love
And he will lay your pride.
Why do you sit there lady fair
All in your robes of red
I'll come tomorrow at this same time
And have you in me bed
Crying . . .
Away away you coal black smith
Would you do me this wrong
For to think to have me maiden head
That I have kept so long
I'd rather I was dead and cold
And me body laid in the grave
Than a lusty, dusty, coal black smith
Me maiden head should have
Crying . . .
So the lady, she curled up her hand
And swore upon the mold
That he'd not have her maiden head
For all of a pot of gold.
But the blacksmith he curled up his hand
And he swore upon the mast
That he would have her maiden head
For the half of that or less
Crying . . .
So the lady she turned into a dove
And flew up into the air
Ah, but he became an old cock pigeon
And they flew pair and pair
Cooing . . .
So the lady she turned into a mare
As dark as the night was black
Ah, but he became a golden saddle
And he clumb upon to her back
Itching . . .
So the lady she turned into a hare
And ran all over the plane
Ah, but he became a greyhound dog
And ran her down again
Barking . . .
So the lady she turned into a fly
And fluttered up into the air
Ah, but he became a big, hairy spider
And dragged her into his lair
Spinning . . .
So the lady she turned into a sheep
Grazing on yon common
Ah, but he became a big horny ram
And soon he was upon her.
Bleating . . .
So she turned into a full dress ship
And she sailed all over the sea
Ah, but he became a bold captain
And aboard of her went he
Ordering . . .
So the lady she turned into a cloud
Floating away in the air
Ah, but he became a lightning flash
And zipped right into her
Shocking . . .
So she turned into a mulberry tree
A mulberry tree in the wood
Ah, but he came forth as the morning dew
And sprinkled her where she stood.
Dripping . . .
So the lady she ran into the bedroom
And she changed into a bed
Ah, but he became a green coverlet
And he gained her maiden head
And once she woke he took her so
And still he bad her bide
And the lusty smith became her love
For all of her mighty pride.
This song is a derivative of Child Ballad 44, with a tune by
A. L. Lloyd. It was recorded by John Roberts & Tony Barrand on
Dark Ships in the Forest, Folk Legacy 65 in the key of C.
Also by Frankie Armstrong on Bird in the Bush and by Carthy
Child #44
Filename[ MAGICN2
DC
===DOCUMENT BOUNDARY===
Lyrics submitted by SongMeanings
The Two Magicians Lyrics as written by
Lyrics © MUSIC SALES CORPORATION
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Fast Car
Tracy Chapman
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Little Feat
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Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
No Surprises
Radiohead
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.