Yeah
Addicted to life, had to pay a heavy-ass price
Sacrifice worth waitin' on the platinum and ice
I'm precise with the merchandise, came back like Christ
To change the game, while y'all niggas remain the same
Clear the lane, comin' through like Kobe, you can't hold me
You can't stop me, ever since I dropped "Paparazzi"
I done watched the game unfold into some hideous shit
Like every idiot that can spit be droppin' a hit
I transmit for the convicts, committed, never bullshitted
Shadowbox, detox, my own worse critic
It's like tryna squeeze water from rocks
I negotiate the neighborhood stocks and clean your clock with a Glock
Sick of niggas screamin' they hot, but really they not
Beatin' you all to the ground like six L.A. cops
Put your fist up in the air if you ever been shot
And lived to tell about it, never leavin' home without it, come on

There's no one out there
For us to fear, I'll say it loud and clear
(Yeah, we ain't scared of none of y'all motherfuckers)
Who can say they're close to us
Speak now and you'll be brought to tears

They probably saw me on the 91 East, gettin' off on Central
With the rag back, lookin' like life's so simple
Tela take a loss, still floss, all bets
If Trife can't cover the house, call X
Likwit crew brothers, Blues Brothers
Move somethin', make killers do somethin', for real
The bitch-made often politic with the skill
Now shit's all twisted, unlisted
Guns fixed it, best not speak about the Likwit
We gifted, twenty-four hours and still lifted
(Bitch, keep your vagina) We drunk and ain't interested
Bitches come a dime and a dove, we ain't trippin' it
Standin' at the bar, soft-styled in the cut
"Ooh, boo, wait, I think you had too much"
Bitch, what? Act right and pour it in a cup
The West and Eastside keep smokin' them blunts, niggas

Let's get with it, I was born to trip
Stay on the lookout, ain't no time to slip (yeah)
We ain't for games and shit
Change your spot, 'cause we're known to dip (come on)
No time for chasin' hoes (hell nah)
I'm on a mission 'cause my cash is low (shit is low)
There's no need to speak on those (come on y'all)
Doggy rags are the gangsta's clothes

There's two sides of my family, both sides from the ghetto
Pops Finnish choco-late, moms Mississippi yellow
Caramel, Cherokee black man, with a pedigree of excellence
Together we rise, no time for separateness
My grandfather Snake was a Jake, or a jack
Of a smack to a bird who don't know how to act
Straight hustler, Mississippi moonshine smuggler
Good ol' wrangler in his day with that attitude of "Fuck ya"

Built to run forever, X the infinite
First line of defense to smash through the immigrants
Can't straddle the fence, it's all or nothin'
Close the curtain, shut down your whole production
Don't be scared, be prepared, niggas do be bustin'
Without thinkin' I mastered the art of hard drinkin'
Yo, you wanna stop the X, try your best
I'm still fuckin' with your pockets like the IRS, so yo

There's no one out there
For us to fear, I'll say it loud and clear
(Yeah, we ain't scared of none of you motherfuckers)
Who can say they're close to us
Speak now and you'll be brought to tears
(Front line all the time motherfucker)
Gather all around to see how we display our vicious skills
(We got spitter after spitter after rhyme spitter)
I done seen and heard enough
Let's prove the West coast is for real
Speak now and you'll be brought to tears


Lyrics submitted by SongMeanings

Loud & Clear Lyrics as written by Kevin Gilliam Danny Elliott Ii Means

Lyrics © BMG Rights Management, Reservoir Media Management, Inc., Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

Loud & Clear song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.