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Wild Billy's Circus Story Lyrics
The machinist climbs his ferris wheel like a brave
And the fire eater's lyin' in a pool of sweat, victim of the heatwave
Behind the tent the hired hand tightens his legs on the sword swallower's blade
And circus town's on the shortwave
The runway lies ahead like a great false dawn
Fat lady, big mama, Missy Bimbo sits in her chair and yawns
And the man-beast lies in his cage sniffin' popcorn
As the midget licks his fingers and suffers Missy Bimbo's scorn
Circus town's been born
Whoa, and a press roll drummer go, ballerina to and fro
Cartwheelin' up on that tightrope with a cannon blast lightin' flash
Movin' fast through the tent Mars bent, he's gonna miss his fall
Oh God save the human cannonball.
And the flying Zambinis watch Margarita do her neck twist,
And the ringmaster gets the crowd to count along: "Ninety-five, ninety-six,
ninety-seven"
A ragged suitcase in his hand, he steals silently away from the circus grounds
And the highway's haunted by the carnival sounds
They dance like a great greasepaint ghost on the wind
A man in baggy pants, a lonely face, a crazy grin
Runnin' home to some small Ohio town
Jesus send some good women to save all your clowns
And circus boy dances like a monkey on barbed wire
And the barker romances with a junkie, she's got a flat tire,
And now the elephants dance real funky and the band plays like a jungle fire
Circus town's on the live wire
And the strong man Sampson lifts the midget little Tiny Tim way up on his
shoulders, way up
And carries him on down the midway past the kids, past the sailors
To his dimly lit trailer
And the ferris wheel turns and turns like it ain't ever gonna stop
And the circus boss leans over, whispers into the little boy's ear "Hey son, you
want to try the big top?"
All aboard, Nebraska's our next stop.
And the fire eater's lyin' in a pool of sweat, victim of the heatwave
Behind the tent the hired hand tightens his legs on the sword swallower's blade
Fat lady, big mama, Missy Bimbo sits in her chair and yawns
And the man-beast lies in his cage sniffin' popcorn
As the midget licks his fingers and suffers Missy Bimbo's scorn
Circus town's been born
Cartwheelin' up on that tightrope with a cannon blast lightin' flash
Movin' fast through the tent Mars bent, he's gonna miss his fall
Oh God save the human cannonball.
And the flying Zambinis watch Margarita do her neck twist,
And the ringmaster gets the crowd to count along: "Ninety-five, ninety-six,
ninety-seven"
A ragged suitcase in his hand, he steals silently away from the circus grounds
They dance like a great greasepaint ghost on the wind
A man in baggy pants, a lonely face, a crazy grin
Runnin' home to some small Ohio town
Jesus send some good women to save all your clowns
And the barker romances with a junkie, she's got a flat tire,
And now the elephants dance real funky and the band plays like a jungle fire
Circus town's on the live wire
And the strong man Sampson lifts the midget little Tiny Tim way up on his
shoulders, way up
And carries him on down the midway past the kids, past the sailors
To his dimly lit trailer
And the ferris wheel turns and turns like it ain't ever gonna stop
And the circus boss leans over, whispers into the little boy's ear "Hey son, you
want to try the big top?"
All aboard, Nebraska's our next stop.
Song Info
Submitted by
juice77 On Sep 06, 2006
More Bruce Springsteen
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god, a great song and no comments? thats crazy!
well, i personally love this song and bruce. this song is about a young boy who comes to a carny festival (well, it says circus but his discriptions sound more like a dirty carny thing to me) and takes in all there is to see -> "oh and a press roll drummer go ballerina to and fro. cartwheelin up on that tight rope. " "and the man beast lies in his cage sniffing pop corn." etc....
and it talks about how the sounds are like ghosts and float over the highway meaning that you can hear it from the highway and its lieka ghost because its only there once and then it leaves.
but in the end the circus boss offers the little boy a place in the circus. "hey son, you want top try the big top? all aboard, nebraskas our next stop"
What does "tightens his legs on the sword swallower's blade" mean?
What does "tightens his legs on the sword swallower's blade" mean?
good comments. very visual
good comments. very visual
Agree with Catactbabe: Great early glimspe into Springsteen the writer. If you catch clips of live performances from this time period you can see the influence of Van Morrison. This song does that: creates this whole weird, self-contained world around Springsteen's childhood haunts (like Morrison did with Belfast.) Plus the way he sings phrases like "miss eeee bimbo's scorn" are brilliant. Its easy to understand why critics were falling all over him in the early days.
@MaxDembo Good comments
@MaxDembo Good comments
" Jesus send some good women to save all your clowns" . Totally loved this line specially in the 80s when I was a lot of clown but did not know much about "good women"