The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
You only get a single chance
The rules are very plain
The truth is well concealed inside
The details of the game
You can hear it coming
You can see it from afar
It's pale and it flickers
Like a faded movie star
And up there in the castle
They're trying to make us scream
By sticking thumb tacks in her flesh
And canceling the dream
Can you find the Valium?
Can you bring it soon?
Lost Johnny's out there
Baying at the Moon
The time has come for you to choose
You'd better get it right
Berlin girls with sharp white teeth
Are waiting in the night
But you oughta really get some
It surely can't be hard
There's always trouble waiting
When you leave your own back yard
And underneath the city
The alligators sing
About how the puppets cannot dance
Since someone cut the strings
Run and get the morphine
For God's sake make it brief
Lost Johnny's out there
Looking for relief
Now Simon looks so evil
And you know he really tries
But every time he makes a play
That vital number dies
And Sally buys her underwear
From a store where no one goes
She makes it big in photographs
On the strength of what she shows
Then here inside the waiting room
The radio still screams
And we're all taking Tuenol
To murder our young dreams
The rules are very plain
The truth is well concealed inside
The details of the game
You can hear it coming
You can see it from afar
It's pale and it flickers
Like a faded movie star
And up there in the castle
They're trying to make us scream
By sticking thumb tacks in her flesh
And canceling the dream
Can you find the Valium?
Can you bring it soon?
Lost Johnny's out there
Baying at the Moon
The time has come for you to choose
You'd better get it right
Berlin girls with sharp white teeth
Are waiting in the night
But you oughta really get some
It surely can't be hard
There's always trouble waiting
When you leave your own back yard
And underneath the city
The alligators sing
About how the puppets cannot dance
Since someone cut the strings
Run and get the morphine
For God's sake make it brief
Lost Johnny's out there
Looking for relief
Now Simon looks so evil
And you know he really tries
But every time he makes a play
That vital number dies
And Sally buys her underwear
From a store where no one goes
She makes it big in photographs
On the strength of what she shows
Then here inside the waiting room
The radio still screams
And we're all taking Tuenol
To murder our young dreams
Lyrics submitted by ButNeverOutgunned, edited by Gumballthechewy
Lost Johnny Lyrics as written by Mick Farren Ian Kilmister
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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Fortnight
Taylor Swift
Taylor Swift
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Wasted lives
My friend who majored in psychopharmacology went out for a PhD program in some kind of anthropology of folk lore, wrote a paper based on all these interviews with Lemmy. They put everything together and somehow interpreted that this song was an allegory about Christmas in World War 1, where everybody’s waiting for their number to come up, and how suspending their belief from the reality of war and going out on Christmas day to play football with the enemy, is like believing in Santa Claus. The “girls with sharp teeth” are Santa’s elves, only you don’t see their teeth are sharp unless you’ve been naughty (like people are in a war) and due to get “coal” in tour stocking. The line about the morphine is someone crying out for the medic for their friend who is wounded out in No Man’s Land, representing that place inbetween being an innocent child who can still hear Santa’s sleigh bells (the “good guys”), and an adult firmly rooted in “reality”, for whom no magic or salvation exists (“the enemy”). The lady buying underwear is the real winner, because they know about the black market and can find clean underwear and socks (which was hard to find, and much sought after in the muddy trenches). Their knowledge allows them to “make it big” (they could trade it for extra furlough time) and also could trade socks to enemy soldiers for photos from behind their lines that they could pass on or trade to observation posts. Somewhere there is some other hidden metaphor or maybe the original verses (before being edited down for the album version) had something about discovering these photographs that actually showed the real Santa Claus in his sled being pulled through the sky by real reindeer, taken by the Red Baron or the Blue Max or whoever. Anyway, they wrote a whole thesis on this one song being some kind of modern folk allegory on the psychological needs that the horrors of war impose on your mind, and the mysticism of belief when powered by that pressing need, coupled with commerce, and blind luck or chance (that Santa Claus actually does objectively exist) and the economics of possessing unknown details (ie knowing that the elves can be dangerous for someone who had been “bad”). It’s all beyond me. I just think Lemmy and the boys wrote a rockin’ song...
The WWI allegory theory is a bit overcooked. It doesn\'t really stand up to the evidence in the text. If one accepts it, that interpretation renders references such as "the radio still screams" and "faded movie star" completely anachronistic. The product references "Tuinal" and "Valium" are similarly unknown before the 1960\'s, more than 40 years after the end of WWI, and even further than the alleged references, since the Xmas football match between opposing the trenches only occurred in 1914, after which officers on both sides curbed any attempts to repeat it.