The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Who are you to wave your finger?
You must have been out your head
Eye hole deep in muddy waters
You practically raised the dead
Rob the grave to snow the cradle
Then burn the evidence down
Soapbox house of cards and glass
So don't go tossin' your stones around
You must have been high
You must have been high
You must have been
Foot in mouth and head up ass
So what you talkin' 'bout?
Difficult to dance 'round this one
Till you pull it out, boy
You must have been so high
You must have been so high
Steal, borrow, refer
Save your shady inference
Kangaroo done hung the juror with the innocent
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye
When you pissed all over my black kettle
You must have been high, high
You must have been high, high
Who are you to wave your finger?
So full of it
Eyeballs deep in muddy waters
Fucking hypocrite
Liar, lawyer, mirror show me
What's the difference?
Kangaroo done hung the guilty with the innocent
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye, eye
When you pissed all over my black kettle
You must have been
So who are you to wave your finger?
Who are you to wave your fatty fingers at me?
You must have been out your mind
Weeping shades of indigo
Trapped without a reason
Weeping shades of indigo
Liar, lawyer, mirror for you
What's the difference?
Kangaroo be stoned
He's guilty as the government
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye, eye
When you pissed all over my black kettle
You must have been high, high, high, high
Eyeballs deep in bloody waters
You're balls deep in muddy waters
Ganja? Please
You must have been out your mind
You must have been out your head
Eye hole deep in muddy waters
You practically raised the dead
Rob the grave to snow the cradle
Then burn the evidence down
Soapbox house of cards and glass
So don't go tossin' your stones around
You must have been high
You must have been high
You must have been
Foot in mouth and head up ass
So what you talkin' 'bout?
Difficult to dance 'round this one
Till you pull it out, boy
You must have been so high
You must have been so high
Steal, borrow, refer
Save your shady inference
Kangaroo done hung the juror with the innocent
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye
When you pissed all over my black kettle
You must have been high, high
You must have been high, high
Who are you to wave your finger?
So full of it
Eyeballs deep in muddy waters
Fucking hypocrite
Liar, lawyer, mirror show me
What's the difference?
Kangaroo done hung the guilty with the innocent
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye, eye
When you pissed all over my black kettle
You must have been
So who are you to wave your finger?
Who are you to wave your fatty fingers at me?
You must have been out your mind
Weeping shades of indigo
Trapped without a reason
Weeping shades of indigo
Liar, lawyer, mirror for you
What's the difference?
Kangaroo be stoned
He's guilty as the government
Now you're weeping shades of cozened indigo
Got lemon juice up in your eye, eye
When you pissed all over my black kettle
You must have been high, high, high, high
Eyeballs deep in bloody waters
You're balls deep in muddy waters
Ganja? Please
You must have been out your mind
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Fortnight
Taylor Swift
Taylor Swift
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Rock Hawk has it right. The pot calling the Kettle black. Its all about hypocrisy.
specifics: Black Kettle = Chief of the Southern Cheyenne (also listen to the following song) Kangaroo = the kangaroo court in Gitmo Muddy waters = Oil (raising the dead)? / Katrina (actual muddy waters)?
"Who are you to wave your finger? So full of it."