This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Every time you raise your voice
I see the greener grass
Every time you run for cover
I see this pasture
Every time we're in a funk
I picture a different choice
Every time we're in a rut
This distant grandeur
My tendency to want to do away feels natural and
My urgency to dream of softer places feels understandable
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
Every time I'm confused
I think there must be easier ways
Every time our horns are locked I'm towel throwing
Every time we're at a loss, we've bolted from difficulty
Anytime we're in stalemate of final bowing
My tendency to want to hide away feels easier and
The immediacy is picturing another place comforting to go
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
We could just walk away and hide our heads in the sand
We could just call it quits, only to start all over again
With somebody else
Every time we're stuck in struggle, I'm down for the count that day
Every time I dream of quick fix I'm assuaged
Now I know it's hard when it's through
And I'm damned if I don't know quick fix way
But formerly mistreat me silence now outdated
My tendency to want to run feels unnatural now
The urgency to want to give to you I don't want most feels good
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll get better
The only way out is through ultimately
I see the greener grass
Every time you run for cover
I see this pasture
Every time we're in a funk
I picture a different choice
Every time we're in a rut
This distant grandeur
My tendency to want to do away feels natural and
My urgency to dream of softer places feels understandable
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
Every time I'm confused
I think there must be easier ways
Every time our horns are locked I'm towel throwing
Every time we're at a loss, we've bolted from difficulty
Anytime we're in stalemate of final bowing
My tendency to want to hide away feels easier and
The immediacy is picturing another place comforting to go
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
We could just walk away and hide our heads in the sand
We could just call it quits, only to start all over again
With somebody else
Every time we're stuck in struggle, I'm down for the count that day
Every time I dream of quick fix I'm assuaged
Now I know it's hard when it's through
And I'm damned if I don't know quick fix way
But formerly mistreat me silence now outdated
My tendency to want to run feels unnatural now
The urgency to want to give to you I don't want most feels good
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll get better
The only way out is through ultimately
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Hayalperest
Hayalperest
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Al studied in India. And =what= she studied (at least in part) is being consciously aware of what she feels about what's going on in her life.
The theme of "conscious processing" pops up again and again in her lyrics (see "Break," "Everything," "Fear of Bliss," "Flinch," "Joining You," etc., none of which could have been written without the use of "process").
Al adds to that her conceptual awareness of the mistaken beliefs our culture has and that we adopt from it via our parents, our playmates, or teachers, our team mates, our coaches, our leaders, the media, even song lyrics.
Here, she's actually directly adressing the process itself, using language I recall from the human potential movements literature of the '60s and '70s.