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Barock-Plastik Lyrics

romance
promise des l'enfance
je vis dans l'esperance de rencontrer un beau garcon
evidemment l'epouser
d'acheter une maison
baiser pour l'eternite
romance
dans toute son arrogance
a ses exigeances
rentrer dans l'intimite
heritiere d'un monde vaste
heurtez-la l'humanite
l'heure de faire tomber les masques
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Cover art for Barock-Plastik lyrics by Stereolab

translation: romance promised since childhood I live in the hopes of meeting a handsome boy obviously marry him buy a house make love for eternity romance in all its arrogance to its requirements invade privacy the heiress of a vast world strike her, humanity the time has come to drop the masks/facade

Cover art for Barock-Plastik lyrics by Stereolab

Is this an attack on the idea of romantic love? Is the dream of the romantic couple, isolated in their individual world, living only for each other a hinderance to social progress? I love the wonky bass-line.

@DevastatorJr. Point is well taken. I think this here critique of Cindarella/Snow White story isn't so much that romance is a hinderance to social progress, so much as romance is not really compatible with it.. I think of 2nd wave feminism and the division of labor within the home etc...but you know, now that i reflect on stereolab's lyrics as a whole, she does romanticize the notions of the consciousness, subjectivity, and social/political agency. I think this is a case where a contemporary exponent of romanticism (Laetitia Sadier) makes a feminist jab at the shallow and childish dream that everything...

Cover art for Barock-Plastik lyrics by Stereolab

@DevastatorJr. Point is well taken. I think this here critique of Cindarella/Snow White story isn't so much that romance is a hinderance to social progress, so much as romance is not really compatible with it.. I think of 2nd wave feminism and the division of labor within the home etc...but you know, now that i reflect on stereolab's lyrics as a whole, she does romanticize the notions of the consciousness, subjectivity, and social/political agency. I think this is a case where a contemporary exponent of romanticism (Laetitia Sadier) makes a feminist jab at the shallow and childish dream that everything a girl can hope for in life is to fall in love with prince charming and to be his Barbie for life. I think she feels this role is suffocating: "à ses exigeances rentrer dans l'intimité" (with its requirements [to] invade privacy). Like she doesn't want to be objectified and loose her own subjectivity. So with dropping the masks at the end: I suppose that means when negotiating a relationship one shouldn’t fake/front that she is ‘OK’ being the Barbie or sex object when you know that you won’t be happy in that role. Now this sounds like some freshman college english paper wooohoo barock=baroque=Snow White plastik=plastic=Barbie

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