This is about bronies. They communicate by stomping.
I wake up everyday on
The wrong side of the bed
But I won't lay down on the floor
Like I'm the whore in your head
Call me a failure
Pretender, sex-offender, infector
Say I killed all my friends
And I deserve to be dead.
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
I won't pull out I just came
I want all of the blame
your love is tin, faith is thin
No concept of pain, right to complain
All you fagazines, senile teens
Jaw me black ball me
Deejay yourself away and turn your back
It will be easier to stab
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
VIP add TRD violent shiny hate crime
"Total Requested Dead" it's
Version point (less) downloadable suicide.
The only ones left standing are the ones not demanding
This isn't a show, this is my fucking life
I'm not ashamed you're entertained
But
I'm not a puppet
I am a grenade
I'm not ashamed you're entertained
But
I'm not a puppet
I am a grenade
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
The wrong side of the bed
But I won't lay down on the floor
Like I'm the whore in your head
Call me a failure
Pretender, sex-offender, infector
Say I killed all my friends
And I deserve to be dead.
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
I won't pull out I just came
I want all of the blame
your love is tin, faith is thin
No concept of pain, right to complain
All you fagazines, senile teens
Jaw me black ball me
Deejay yourself away and turn your back
It will be easier to stab
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
VIP add TRD violent shiny hate crime
"Total Requested Dead" it's
Version point (less) downloadable suicide.
The only ones left standing are the ones not demanding
This isn't a show, this is my fucking life
I'm not ashamed you're entertained
But
I'm not a puppet
I am a grenade
I'm not ashamed you're entertained
But
I'm not a puppet
I am a grenade
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
Kiss baby kiss
Bang baby bang
Suck baby suck
It's Vodevil
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
This isn't music and we're not a band
We're 5 middle fingers on a motherfucking hand
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More Featured Meanings
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
well i hardly think that this album deserved such a beating.you are failing to see the underlying tones of it. this is a new stage of marilyn mansons life...one that scares me quite frankly. this is not a sell out album these are marilyn mansons words and they show a bitter lonliness i have never before sensed in his music. he always kept us torn between weather to see him as a vulnerable, broken man (such as in tracks like man that you fear) or an 'antichrist superstar' but we all knew that the vulnerability was there. in this album, and tracks such as Slutgarden, he is covering it up. he is portrayign himself as nothign more than a heartless sex fiend which we all know is not entirely true. the hurt is still there, it comes up briefly in the track Spade ([Untranslated]) He just seems to be gettign better at hiding it. personally i loved this new album it has that "Fuck You" attitide about it that is awsome for driving or when you straight up feel like beign bitchy, and the music itself, aside from lyrics, are incredible as well. dont be so quick to judge it. theres always somethign more than what you hear.
.KriSs.