Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please, don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care, I don't care, I don't care
And in the darkened underpass
I thought, oh God, my chance has come at last
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care, I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please, don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care, I don't care, I don't care
And in the darkened underpass
I thought, oh God, my chance has come at last
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care, I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
Lyrics submitted by weezerific:cutlery, edited by Mellow_Harsher, manfromspider
There Is a Light That Never Goes Out Lyrics as written by Johnny Marr Steven Morrissey
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
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He certainly did earn that reputation.
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Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
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The way this song speaks to me🥺🥺when I sing it I feel like I relate
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
humorous but at the same time he writes what he speaks.
I know someone who never wants to go home (sorry if you came across this) and would always want to stay out. I guess it really sucks at home. In reality though, the person will have to go back. Why not end it with someone you're in love with?