This is one of my favorite songs. https://fnfgo.io
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on, you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
I was working as a waitress in a cocktail bar
That much is true
But even then, I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now, I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on, you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
I was working as a waitress in a cocktail bar
That much is true
But even then, I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now, I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
Don't you want me? Oh
Don't you want me, baby?
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Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Blue
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“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Amazing
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Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
I don't get the "creepy" vibe that others have gotten off this, but rather more of a "desperate" vibe (as in despair, not clinging). I see it as, the guy did everything he could to build her up, and help her to be a better version of herself than the one he initially met, because he saw the potential in her. And when she awoke to this potential in herself, she thought that she wouldn't need him anymore, that she's outgrown him. He's in despair, because he's just as in love with her as he's ever been, and so he throws out this obviously idle threat about knocking her back down to where she was, hoping she'll realize that he can still help her. But she's obstinate and has grown to be full-of-herself, and stubbornly refuses to hear him out, into what will likely be a Pyrrhic victory. At which point, all he could hope for is that she encounters this same cold realization, and wakes up and comes back to him.
You might be able to infer that I can relate.