Yes, I got more bounce than the fucking bump
And then you want to know why because I'm motherfuckin' truckin'
I'm in the pocket just like Grady Tate
Got supplies of beats so you don't have to wait
'Cause I'm the master blaster, drinking up the shasta
My voice sounds sweet 'cause it has to (looking good!)
So light a match to my ass 'cause I'm blowin' up
I'd like to thank the people for just showin' up
But now I want y'all to move it
Put your point on the floor and just prove it
And I'm smurfin', not rehearsin', gettin' live, y'all
A little puffy, so you know what, I'm doin' right
'Cause that's the kind of frame of mind I'm in
I got this feelin' that it's back again
So don't touch me, 'cause I'm electric
And if you touch me, you'll get shocked

You got, you got, you got, you got, you got
You've got the boomin' system, but it's sloshing out doo-doo
You think it's chocolate milk, but it's watered down Yoo-hoo
I've been through many times in which I thought I might lose it
The only thing that saved me, has always been music
We've got our own studio, the Son of the G
It's no question, life's been good to me
'Cause life ain't nothing but a good groove
A good mixtape to put you in the right mood
This one goes out to my man, the Groove Merchant
Coming through with beats for which I've been searching
Like two sealed copies, of Expansions
I'm like Tom Vu with yachts and mansions
The logo I sport is the face of the monkey
Union made, Ben Davis-quality, it's no junk, see?
My chrome is shining, just like an icicle
I ride around town in my low-rider bicyle

So many wack emcees, you get the TV bozak
Ain't even gonna call out your names, 'cause you're so wack
And one big oaf, who's faker than plastic
A dictionary definition of the word spastic
You should have never started something that you couldn't finish
'Cause writin' rhymes to me is like Popeye to spinach
I'm bad ass, move ya' fat ass, 'cause you're wack, son
Dancing around like you think you're Janet Jackson
Thought you could walk on me to get some ground to walk on
I'll put the rug out under your ass as I talk on
I'll take you out like a sniper on a roof
Like an emcee at the fever in the DJ booth
With your headphones strapped, you're rockin' rewind/pause
Tryin' to figure out what you can do to go for yours
But like a pencil to a paper, I got more to come
One after another, you can all get some
So you better take your time, and meditate on your rhyme
'Cause your shit'll be stinkin' when I go for mine
And that's right, y'all, don't get uptight, y'all
You can't say shit because you're biting what I write, y'all
And that's wrong, y'all, over the long haul
You can't cut the mustard when you're fronting it all


Lyrics submitted by The Marine, edited by GTony

Professor Booty Lyrics as written by Adam Nathaniel Yauch Adam Horovitz

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

Professor Booty song meanings
Add Your Thoughts

5 Comments

sort form View by:
  • 0
    General Comment

    Yes. The last verse by MCA(So many wack MCs...) is directed at Serch.

    YassssssNopeon March 22, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.