Why are we racing to be so old?
I'm up late pacing the floor
I won't be told
You have your reservations
I'm bought and sold

I'll face the music
I'll face the facts
Even when we walk in polka dots and checker slacks

Bowing and squawking
Running after tidbits
Bobbing and squinting
Just like a nitwit

Two little Hitlers will fight it out until
One little Hitler does the other one's will
I will return
I will not burn
Down in the basement

I need my head examined
I need my eyes excited
I'd like to join the party
But I was not invited
You make a member of me
I'll be delighted

I wouldn't cry for lost souls, you might drown
Dirty words for dirty minds
Written in a toilet town

Dial me a Valentine
She's a smooth operator
It's all so calculated
She's got a calculator
She's my soft touch typewriter
And I'm the great dictator

Two little Hitlers will fight it out until
One little Hitler does the other one's will
I will return
I will not burn

A simple game of self-respect
You flick a switch and the world goes off
Nobody jumps as you expect
I would have thought you would have had enough by now

You call selective dating
For some effective mating
I thought I'd let you down, dear
But you were just deflating

I knew right from the start
We'd end up hating
Pictures of the merchandise
Plastered on the wall
We can look so long as we don't have to talk at all

You say you'll never know him
He's an unnatural man
He doesn't want your pleasure
He wants as no one can
He wants to know the names of
All those he's better than

Two little Hitlers will fight it out until
One little Hitler does the other one's will
I will return
I will not burn
I will return
I will not burn
I will return
I will not burn


Lyrics submitted by Mopnugget

Two Little Hitlers Lyrics as written by Elvis Costello

Lyrics © BMG Rights Management, Universal Music Publishing Group

Lyrics powered by LyricFind

Two Little Hitlers song meanings
Add Your Thoughts

5 Comments

sort form View by:
  • 0
    General Comment

    Exactly. As long as your unable to see and treat the other person as a human being and merely objective them, there will be no real love, and as time passes the self-centeredness can only lead to bitterness, hating the things they once picked out together that "would make them happy" instead of figuring out how to make each other happy. By hating those things hides a metaphor of contempt and disappointment with each other.

    montresoron October 29, 2005   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Step
Ministry
Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
Album art
Techno Ted
Audioslave
Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.