Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Sage:
It's not that what we're doing is wrong
But let's try to keep this a secret
Between me, you, and the song
A menage a trois that sings to me
Sinfully
When god plays along
Jolie Holland:
What you want with a woman who won't do what you say?
Sage:
I was sweet on her
She was sweet on Jesus
We slept with a blanket barrier between us
Master of her craft, I had her laughin like hyenas
When I asked her if she'd marry an elitist
Staggering genius in lace
With the grace of a drunken monk
The mask isn't seamless cause her face says something's up
But I don't dare ask her I just listen
Switchin to my good ear and adjusting my position
As she discusses Ginsberg I listened and learned
As she dispersed his words I just resisted the urge to do like he would
Whatever he wanted, if she allowed me to
She dangled that carrot then asked me:
"What would Bukowski do?"
Oh don't go there
He'd make you his mom and then completely lie about it in a book later on
Jolie Holland:
Got up this morning
Didn't know right from wrong
Sage:
Spirits were lifted when she whispered something French in my ear
Tension was there
When I responded in English it sounded less sincere
The sex in the air couldn't be left alone
So welcome to the Terrordome
A bedroom full of pheromones
Where nothing that we say is set in stone
If I thought it was for posterity I'd already be writing better poems
But I'm talking in extremes
Best this and best that
Best not regret anything that ever gets said to this hell cat
Creepin on all fours
Ready for combat
With secretive wars sneaking her claws in our contract
Bending every which way but loose with no proof that anything that we've suggested to this day is the whole truth
Jolie Holland:
Got up this morning
Didn't know right from wrong
Sage:
I heard her chemical romance was a medical slowdance
Said my advance was sexual
Held my genitals with cold hands
Set up the Coke cans
Broke out the Red Ryder
Then one by one I tried to knock down everything that's dead inside her
She used to treat street dividers like a balance beam
Arms spread wider than the legs in her dad's magazine
Re-enacting the pages that she got trapped between
I used it for kindling and then spilled the gasoline
Now I'm your water boy
I fetch it from your cheeks just like tennis balls
Smell the stench of your weakness on the bedroom walls
Somebody careless let em vaporize
"Who let these fall to the floor from your poor vacant eyes?"
Disintegrate
This ain't a great first impression
But I work better on pages, they say words are my profession
Let me spell it out in simple language
Plain English
I want your suicide to be a book of mine that I never finish
Jolie Holland:
Got up this morning
Didn't know right from wrong
What you want with a woman who won't do what you say?
It's not that what we're doing is wrong
But let's try to keep this a secret
Between me, you, and the song
A menage a trois that sings to me
Sinfully
When god plays along
Jolie Holland:
What you want with a woman who won't do what you say?
Sage:
I was sweet on her
She was sweet on Jesus
We slept with a blanket barrier between us
Master of her craft, I had her laughin like hyenas
When I asked her if she'd marry an elitist
Staggering genius in lace
With the grace of a drunken monk
The mask isn't seamless cause her face says something's up
But I don't dare ask her I just listen
Switchin to my good ear and adjusting my position
As she discusses Ginsberg I listened and learned
As she dispersed his words I just resisted the urge to do like he would
Whatever he wanted, if she allowed me to
She dangled that carrot then asked me:
"What would Bukowski do?"
Oh don't go there
He'd make you his mom and then completely lie about it in a book later on
Jolie Holland:
Got up this morning
Didn't know right from wrong
Sage:
Spirits were lifted when she whispered something French in my ear
Tension was there
When I responded in English it sounded less sincere
The sex in the air couldn't be left alone
So welcome to the Terrordome
A bedroom full of pheromones
Where nothing that we say is set in stone
If I thought it was for posterity I'd already be writing better poems
But I'm talking in extremes
Best this and best that
Best not regret anything that ever gets said to this hell cat
Creepin on all fours
Ready for combat
With secretive wars sneaking her claws in our contract
Bending every which way but loose with no proof that anything that we've suggested to this day is the whole truth
Jolie Holland:
Got up this morning
Didn't know right from wrong
Sage:
I heard her chemical romance was a medical slowdance
Said my advance was sexual
Held my genitals with cold hands
Set up the Coke cans
Broke out the Red Ryder
Then one by one I tried to knock down everything that's dead inside her
She used to treat street dividers like a balance beam
Arms spread wider than the legs in her dad's magazine
Re-enacting the pages that she got trapped between
I used it for kindling and then spilled the gasoline
Now I'm your water boy
I fetch it from your cheeks just like tennis balls
Smell the stench of your weakness on the bedroom walls
Somebody careless let em vaporize
"Who let these fall to the floor from your poor vacant eyes?"
Disintegrate
This ain't a great first impression
But I work better on pages, they say words are my profession
Let me spell it out in simple language
Plain English
I want your suicide to be a book of mine that I never finish
Jolie Holland:
Got up this morning
Didn't know right from wrong
What you want with a woman who won't do what you say?
Lyrics submitted by brain_stew
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Mountain Song
Jane's Addiction
Jane's Addiction
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
fucking beautiful. sage francis is nothing short of amazing.