This is one of my favorite songs. https://fnfgo.io
Drag him out your window
Dragging out the dead
Singing I miss you
Snakes and ladders flip the lid
Out pops the cracker
Smacks you in the head
Knives you in the neck
Kicks you in the teeth
Steel toe caps
Takes all your credit cards
Get up get the gunge
Get the eggs
Get the flan in the face
The flan in the face
The flan in the face
Dance you fucker dance you fucker
Don't you dare
Don't you dare
Don't you flan in the face
Take it with the love its given
Take it with a pinch of salt
Take it to the tax man
Let me back
Let me back
I promise to be good
Don't look in the mirror at the face you don't recognize
Help me, call the doctor, put me inside
Put me inside
Put me inside
Put me inside
Put me inside
I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he's gonna mess me up
Steal all my children if I don't pay the ransom
And I'll never see them again if I squeal to the cops
Walking like giant cranes
And with my X-ray eyes I strip you naked
In a tight little world
And are you on the list?
Stepford wives who are we to complain?
Investments and dealers
Investments and dealers
Cold wives and mistresses
Cold wives and Sunday papers city
Boys in first class don't know we're born just know
Someone else is gonna come and clean it up
Born and raised for the job
Someone always does
I wish you'd get up get over
Get up get over and turn the tape off
I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he's gonna mess me up
Steal all my children if I don't pay the ransom
And I'll never see them again if I squeal to the cops
So I'm just gonna
Dragging out the dead
Singing I miss you
Snakes and ladders flip the lid
Out pops the cracker
Smacks you in the head
Knives you in the neck
Kicks you in the teeth
Steel toe caps
Takes all your credit cards
Get up get the gunge
Get the eggs
Get the flan in the face
The flan in the face
The flan in the face
Dance you fucker dance you fucker
Don't you dare
Don't you dare
Don't you flan in the face
Take it with the love its given
Take it with a pinch of salt
Take it to the tax man
Let me back
Let me back
I promise to be good
Don't look in the mirror at the face you don't recognize
Help me, call the doctor, put me inside
Put me inside
Put me inside
Put me inside
Put me inside
I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he's gonna mess me up
Steal all my children if I don't pay the ransom
And I'll never see them again if I squeal to the cops
Walking like giant cranes
And with my X-ray eyes I strip you naked
In a tight little world
And are you on the list?
Stepford wives who are we to complain?
Investments and dealers
Investments and dealers
Cold wives and mistresses
Cold wives and Sunday papers city
Boys in first class don't know we're born just know
Someone else is gonna come and clean it up
Born and raised for the job
Someone always does
I wish you'd get up get over
Get up get over and turn the tape off
I keep the wolf from the door
But he calls me up
Calls me on the phone
Tells me all the ways that he's gonna mess me up
Steal all my children if I don't pay the ransom
And I'll never see them again if I squeal to the cops
So I'm just gonna
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
I feel the first post on this song sums up my thoughts on the song pretty nicely.
I'd like to add that I feel this song deals with corruption in the executive branch. I have a notion that Radiohead is trying to express that the real "Gangters" that are stealing our children, locking us up and putting us in boxes are the police, CIA and FBI.
I do think that the jittery and eclectic delivery that this song has helps define the situation of fear and terror in society.
The second "rap stanza" starting with [Walking like Giant Cranes] is referencing people who think their above others, such as those in a monarchy and totalitarian government [what we're becoming].
I really do think the Xray eyes, is a warning of "Patriot Act" searches at airports.
Despite crime being a potent topic of this song, I feel it has many levels to it. Radiohead wouldn't title a full studio album "Hail to the Thief" and end with a song about a petty criminal. I think this song, more than 2+2=5 [The Lukewarm.], tells a more chilling tale about the present state of affairs in the world, and the leaders who control it.