The original 440 Hz version includes ornamental figures that were later removed in the 432 Hz version. This change was not corrective, but conceptual: without the ornaments, the melodic line revealed its core shape more clearly. The piece proved capable of sustaining multiple readings, where ornamentation functions as expressive commentary rather than structural foundation.
The original 440 Hz version includes ornamental figures that were later removed in the 432 Hz version. This change was not corrective, but conceptual: without the ornaments, the melodic line revealed its core shape more clearly. The piece proved capable of sustaining multiple readings, where ornamentation functions as expressive commentary rather than structural foundation.