After calculating this song’s vocal range or register (because I forgot when I took the recording previously), it ranges from C3 to C5.
For the transposition, “cycling remains” was transposed a perfect fourth down from B♭ major (the original song–“drivers license”) to F major. In this case, the original probably spans from F3 to F5.
Chest/head voice specification: For the chest voice, my highest note is in belting A4s, mostly at the second chorus, probably a bit reaching some B♭4s as the highest in the bridge section of the song; also, the head voice from F4 to C5 in the first chorus and the last chorus.
You can actually hear a bit of backing vocals in the second chorus in this vocals-only version clearly than in the primary version. Then, the warm choral voice sang in the bridge section, which I guess is a bit not quite as grandiose as the original, “drivers license”, maybe because I am still developing my vocal mixing skill.
You will see that most of my discography per this comment posted are instrumental tracks, but they were only composed and/or arranged, and my current instrument still heavily relies on vocals only. I guess I will try piano in the future.
I will give you more updates if I remember or find a thing or two. Also, you can request something or collaborate with me.
Trivia about this song’s vocal rendition:
After calculating this song’s vocal range or register (because I forgot when I took the recording previously), it ranges from C3 to C5.
For the transposition, “cycling remains” was transposed a perfect fourth down from B♭ major (the original song–“drivers license”) to F major. In this case, the original probably spans from F3 to F5.
Chest/head voice specification: For the chest voice, my highest note is in belting A4s, mostly at the second chorus, probably a bit reaching some B♭4s as the highest in the bridge section of the song; also, the head voice from F4 to C5 in the first chorus and the last chorus.
You can actually hear a bit of backing vocals in the second chorus in this vocals-only version clearly than in the primary version. Then, the warm choral voice sang in the bridge section, which I guess is a bit not quite as grandiose as the original, “drivers license”, maybe because I am still developing my vocal mixing skill.
You will see that most of my discography per this comment posted are instrumental tracks, but they were only composed and/or arranged, and my current instrument still heavily relies on vocals only. I guess I will try piano in the future.
I will give you more updates if I remember or find a thing or two. Also, you can request something or collaborate with me.