For me this track talks about how much Doseone has improved himself as a person, outside of the musical sphere.
At the time the latest albums he released with 13 & God and Subtle were so much intimate and bleak, but with this track we came to a resolution, Drucker has no longer fear of what he is really, as in Subtle's "The Ends" he finally accepted himself as a neurodivergent and queer man.
He also makes a callback to the 13 & God's song "Low Heaven" when in the verse is using "We" to speak about himself and other people like him that have suffered in his same manner.
The saddest thing in this song is the callback line to the old Sole's song "Tourist Trapeze" as a goodbye line to him, since he left Anticon around the album's release date. It is truly a cathartic moment, being alone while having reached the top and having accepted yourself for who you truly are.
For me this track talks about how much Doseone has improved himself as a person, outside of the musical sphere. At the time the latest albums he released with 13 & God and Subtle were so much intimate and bleak, but with this track we came to a resolution, Drucker has no longer fear of what he is really, as in Subtle's "The Ends" he finally accepted himself as a neurodivergent and queer man.
He also makes a callback to the 13 & God's song "Low Heaven" when in the verse is using "We" to speak about himself and other people like him that have suffered in his same manner.
The saddest thing in this song is the callback line to the old Sole's song "Tourist Trapeze" as a goodbye line to him, since he left Anticon around the album's release date. It is truly a cathartic moment, being alone while having reached the top and having accepted yourself for who you truly are.