Having a third interpretation that looks even more poetic : this time, the narrator is not a pregnant teenager, but a lyricist who has to write a song in a hurry! So now, the butterfly is not a fœtus unlike my 2 previous interpretations, but a song that the lyricist writes, going from caterpillar (white page) to butterfly (completed page).\n\nThe narrator imagines the full body of her song, including its face ("ton visage se dessine dans les moindres détails") but is facing a white page, she is in a hurry (no reason given, the song having a "due date", so not completed in a long span) and doesn\'t know what to write, and so gets anxious or nervous ("j\'ai des butterflies, des papillons en pagaille"). But finding the right words is a difficult task to her ("un peu sonnée par cette foutue bataille, je m\'accroche à tes mots dans le mondre détail").\nThe more she writes, the more she feels emotions that the reader would feel too ("des émotions en pagaille"), and this brings so much pleasure to her while her song is being written. At one time, she feels so immersed in her writing that she doesn\'t stop for anything else, including eating ("mon ventre se tord"), but then she doesn\'t care about that anymore ("un peu sonnée par ce foutu détail") until she has completed her lyrics ("avant de te dire bye-bye"). But the lyricist is not the one who will sing the song, so she has to find the singer for it, and imagines how he or she will sing ("ta voix résonne au fond de mes entrailles").\n\nIMHO I wonder how "lyrical contractions" looks like, and how come the "song birth" isn\'t a painful one and how come the narrator does not have any "post-lyrical depression" at the end. (Author\'s note : NOT with child while I wrote all 3 interpretations.)
Having a third interpretation that looks even more poetic : this time, the narrator is not a pregnant teenager, but a lyricist who has to write a song in a hurry! So now, the butterfly is not a fœtus unlike my 2 previous interpretations, but a song that the lyricist writes, going from caterpillar (white page) to butterfly (completed page).\n\nThe narrator imagines the full body of her song, including its face ("ton visage se dessine dans les moindres détails") but is facing a white page, she is in a hurry (no reason given, the song having a "due date", so not completed in a long span) and doesn\'t know what to write, and so gets anxious or nervous ("j\'ai des butterflies, des papillons en pagaille"). But finding the right words is a difficult task to her ("un peu sonnée par cette foutue bataille, je m\'accroche à tes mots dans le mondre détail").\nThe more she writes, the more she feels emotions that the reader would feel too ("des émotions en pagaille"), and this brings so much pleasure to her while her song is being written. At one time, she feels so immersed in her writing that she doesn\'t stop for anything else, including eating ("mon ventre se tord"), but then she doesn\'t care about that anymore ("un peu sonnée par ce foutu détail") until she has completed her lyrics ("avant de te dire bye-bye"). But the lyricist is not the one who will sing the song, so she has to find the singer for it, and imagines how he or she will sing ("ta voix résonne au fond de mes entrailles").\n\nIMHO I wonder how "lyrical contractions" looks like, and how come the "song birth" isn\'t a painful one and how come the narrator does not have any "post-lyrical depression" at the end. (Author\'s note : NOT with child while I wrote all 3 interpretations.)