This song goes along with, "Westbound Sign," three songs later, and shows the breakup and problems with the protagonist, Billie Joe. Apparently, Billie has just realized that his lover or girlfriend is rotten and a bitch, stating, "Ripping up my transfer, and a photograph of you. You're a blur of my dead past and rotting existence, as I stand laughing on the corner of insignificance." Throughout the rest of the song, he states that the relationship from the start has been fucked up, and destiny is not a place for them. Since Green Day, Tre, Mike, and Billie, lived in Oakland, San Francisco, and Berkeley Bay around this time, and Stuart and the Avenue is located in Berkeley near Alta Bates National Hospital.
Billie's relationships and the girl is pretty fucked up, like he repeats redundantly, but pass all of this is "Westbound Sign," also on Green Day's fourth stdio album. Westbound sign is the aftermath of this relationship. Both songs are streets that Billie reflects off of in this album.
This song goes along with, "Westbound Sign," three songs later, and shows the breakup and problems with the protagonist, Billie Joe. Apparently, Billie has just realized that his lover or girlfriend is rotten and a bitch, stating, "Ripping up my transfer, and a photograph of you. You're a blur of my dead past and rotting existence, as I stand laughing on the corner of insignificance." Throughout the rest of the song, he states that the relationship from the start has been fucked up, and destiny is not a place for them. Since Green Day, Tre, Mike, and Billie, lived in Oakland, San Francisco, and Berkeley Bay around this time, and Stuart and the Avenue is located in Berkeley near Alta Bates National Hospital.
Billie's relationships and the girl is pretty fucked up, like he repeats redundantly, but pass all of this is "Westbound Sign," also on Green Day's fourth stdio album. Westbound sign is the aftermath of this relationship. Both songs are streets that Billie reflects off of in this album.