"The whole thing is a love song, sort of. Dread. “I see seaweed” is a reference to the sea level rising, but I’m not saying [scared], “Ooh, climate change!” I’m not jumping on a soapbox or anything. I didn’t want a lot of it to be direct. You know when you have a dream – it doesn’t make sense, but it doesn’t mean that the dream doesn’t move you in a certain way, or disturb you. Even though it doesn’t work in any linear, rational way, or even in a metaphorical way. There’s something in it that’s pushing your buttons. This song is like that. Fear of flying is a deep dread, of something flying in demise … there’s a lot of flying in my dreams. The line, “Shooting at a shadow that a bomb blew on a wall” is when you’re trying to make your point – after it’s already been made in an aggressive way."
"The whole thing is a love song, sort of. Dread. “I see seaweed” is a reference to the sea level rising, but I’m not saying [scared], “Ooh, climate change!” I’m not jumping on a soapbox or anything. I didn’t want a lot of it to be direct. You know when you have a dream – it doesn’t make sense, but it doesn’t mean that the dream doesn’t move you in a certain way, or disturb you. Even though it doesn’t work in any linear, rational way, or even in a metaphorical way. There’s something in it that’s pushing your buttons. This song is like that. Fear of flying is a deep dread, of something flying in demise … there’s a lot of flying in my dreams. The line, “Shooting at a shadow that a bomb blew on a wall” is when you’re trying to make your point – after it’s already been made in an aggressive way."