The perspective is constantly shifting in this song, which could be a Luke Haines "thing", as he does this quite frequently (e.g. Kidnapping the Heiress). The parents of the missing child, the perpetrator, the child as when he/she was alive, the media coverage, all whose voices are packed in this two-minute song. I find the last verse very powerful ("when we find him/we can cure him/we can make him better/raise him from the dead"). After Murder Park and Suburban Morning are two sequels of this song (or is this their prequel?) which offer two different endings to this story.
The perspective is constantly shifting in this song, which could be a Luke Haines "thing", as he does this quite frequently (e.g. Kidnapping the Heiress). The parents of the missing child, the perpetrator, the child as when he/she was alive, the media coverage, all whose voices are packed in this two-minute song. I find the last verse very powerful ("when we find him/we can cure him/we can make him better/raise him from the dead"). After Murder Park and Suburban Morning are two sequels of this song (or is this their prequel?) which offer two different endings to this story.