This is an actual quote from Trevor to Decibel Magazine, where he explained each on the tracks on Everblack.
This second song is a real blast heavy tune… fast paced and very melodic. In my mind this is a quintessential Brian Eschbach penned BDM song—nice powered wig (read: classically-influenced) riffage and an ultra-catchy chorus to boot. Lyrically, it deals with the origins of the goat as a symbol of evil and how the lamb came to represent the Christian… the goat of departure was cast out into the desert bearing the sins of man on his back… he was the original scapegoat. It talks about the beginning of the ‘horns’ hand sign that we metal heads know and love… the emblem of our very pride and joy.
This is an actual quote from Trevor to Decibel Magazine, where he explained each on the tracks on Everblack.
This second song is a real blast heavy tune… fast paced and very melodic. In my mind this is a quintessential Brian Eschbach penned BDM song—nice powered wig (read: classically-influenced) riffage and an ultra-catchy chorus to boot. Lyrically, it deals with the origins of the goat as a symbol of evil and how the lamb came to represent the Christian… the goat of departure was cast out into the desert bearing the sins of man on his back… he was the original scapegoat. It talks about the beginning of the ‘horns’ hand sign that we metal heads know and love… the emblem of our very pride and joy.