"Tears on your blackmail" were hers upon finding the letter from his flame.
The "point of the fingernail", different than 'pointing a finger', is fingernails scratching a back; symbolic of the throes of passion of her revenge affair.
And "he's handsome".
"Clowntime" reminds me of a different lryic: "If I'm not the sole fool that pulls his trousers down, then dear Madam Barnum, I resign as clown". That is, the general idea of "being the last to know" of a betrayal.
Where the others don't walk: nobody "walks" on "lovers lane" and the somebody is most likely a detective whose job is spying spouses and their lovers.
There is the possibility, especially given the music lovemaking makes, if the detective's assistant spoke softly into his cell phone, he wouldn't have been heard. And even if they saw they were seen, might not have startled if they didn't recognise who saw them.
I'm assuming that "otherwise unprotected" despite the dramatic image of weaponry, implies that he was protected in one way: that at least he was having protected sex.
"Almost too good to be true":
Where their "lovers lane" might have literally been an alley, the dective's work was almost too easy, with no need to be clever about figuring out how to find a vantage point. This case was bereft of the usual chain of expenses.
"Who do you? why do you? what do you do?" It seems after a fruitful investigation, rather than keep her newfound knowledge under wraps, she confronts him.
"Who’s making lover’s lane safe again for lovers?" I'll interpet that line by invoking a different lyric: "Let the bad guy win every one in a while." In a world of James Bond technology equipped super-sleuths, how is this a level playing field?
It's a tale of mutual disaffection:
"Tears on your blackmail" were hers upon finding the letter from his flame.
The "point of the fingernail", different than 'pointing a finger', is fingernails scratching a back; symbolic of the throes of passion of her revenge affair.
And "he's handsome".
"Clowntime" reminds me of a different lryic: "If I'm not the sole fool that pulls his trousers down, then dear Madam Barnum, I resign as clown". That is, the general idea of "being the last to know" of a betrayal.
Where the others don't walk: nobody "walks" on "lovers lane" and the somebody is most likely a detective whose job is spying spouses and their lovers.
There is the possibility, especially given the music lovemaking makes, if the detective's assistant spoke softly into his cell phone, he wouldn't have been heard. And even if they saw they were seen, might not have startled if they didn't recognise who saw them.
I'm assuming that "otherwise unprotected" despite the dramatic image of weaponry, implies that he was protected in one way: that at least he was having protected sex.
"Almost too good to be true": Where their "lovers lane" might have literally been an alley, the dective's work was almost too easy, with no need to be clever about figuring out how to find a vantage point. This case was bereft of the usual chain of expenses.
"Who do you? why do you? what do you do?" It seems after a fruitful investigation, rather than keep her newfound knowledge under wraps, she confronts him.
"Who’s making lover’s lane safe again for lovers?" I'll interpet that line by invoking a different lyric: "Let the bad guy win every one in a while." In a world of James Bond technology equipped super-sleuths, how is this a level playing field?