"It’s a lovely sepia-tinged groove isn’t it? I think we’re all, dare I say it, pretty good musicians now. It’s not something people remark on, apart from James’ guitar. I did the demo without anyone, I did the drums on that. I wanted it to sound like ‘The Two Of Us’ by The Beatles, a sort of lolloping groove. I could see that James and Sean liked the song but as usual I just didn’t want my voice on it, and the first person we thought of was Cate [Le Bon]. We wanted something really pure, almost folk-tinged. There’s a severe clarity that cuts through the haziness of the backing track. She really pierces. We sent her the track in LA, at the start you can hear her walking in her high heels, clip clopping up to the mic. She did it in three takes, it worked perfectly. There’s a lot of A. E. Housman poetry there which filters through."
"It’s a lovely sepia-tinged groove isn’t it? I think we’re all, dare I say it, pretty good musicians now. It’s not something people remark on, apart from James’ guitar. I did the demo without anyone, I did the drums on that. I wanted it to sound like ‘The Two Of Us’ by The Beatles, a sort of lolloping groove. I could see that James and Sean liked the song but as usual I just didn’t want my voice on it, and the first person we thought of was Cate [Le Bon]. We wanted something really pure, almost folk-tinged. There’s a severe clarity that cuts through the haziness of the backing track. She really pierces. We sent her the track in LA, at the start you can hear her walking in her high heels, clip clopping up to the mic. She did it in three takes, it worked perfectly. There’s a lot of A. E. Housman poetry there which filters through."
-Nicky Wire