I have spent quite some time listening to all the songs i believe to relate to this one and analyzing what they mean, and i believe this to be the first of a large story arch which centrally focus on a prostitute who's name seems to be Naomi or rose depending on how you look at it. I believe her to be Naomi, the central focus of the song "Naomi", but i will get to that in a minute.
This song is told from the prospective of a man who falls in love with a the main character "Naomi" who he grows up with befriended as a sister . The song begins with him wanting to take care of a girl who has been molested and neglected by her parents. She seem not to allow him to (which will continue as a theme throughout the story arch) instead choosing to cling to memories of better times depicted through a wedding ring given to her by he grand mother (which may contain an opal).
The song cuts from a scene of him sort of watch over she will not allow him to help/comfort her to Naomi as a teenager in one of her early relationships (and in a way he is still watching over her as a friend). Her sense of both mental and physical needs in a romantic relationship being severely squed from the trauma of the event previously mentioned as well as a generally unhealthy, violent and neglectful relationship with her parents.
In all of the songs when Goldaline is mentioned it refers to a story in which a set of Siamese twins who are lost in Siberia and essentially destined to die. They are confronted by a ravenous beast and instead of trying to escape choose to allow themselves to be consumed by the beast. They slowly die together in its belly. This is a medafore for accepting fate and alowing things to run their course.
In this instance he is applying it as her name as to depict that even as a youth she had already accepted that her sexual appetite and distorted sense of pleasure/fulfillment with men(which are virtually one in the same) was very much a part of her.
As this story is being told retrospectively (by a man who watches over her and comes to fall in love with her) he as a youth as well warns her boyfriend or partner at the time to be good to her as she is worth it, which he likely dose not.
In the line "She moves herself about her fist" the song is making reference to another song "Communist Daughter" : This is a medafor for promiscuous woman as in communism everything is shared, so would be the case for a communists daughter. I believe this to suggest another transition in time for which she is well past the boy in the beginning of the second verse. The next few line imply that she has become a prostitute, which is bitter sweet as she both loves and is disgusted by (or hates) the things that she dose. Yet it is the only thing she finds fulfilling.
She then has a brief encounter with the narrator where he is a "John" (Likely depicted in the song Naomi) something which both of them regret at the time. She never moves past it and over time ceases to speak to him as he falls in love with her and eventually come to stock her (depicted in this song as well as "Naomi" and the "April 8th", both songs narrated by the same person).
Goes on to marry a drunk who like all of her other relationships mistreats her. This all breaks his heart and i believe leads him to confront her after which she no longer is able to him. A second time Mangum makes refferance to her as Goldaline this time i believe to be her acceptance that their relationship can no longer exist, this is done inside of a statment he is making which is directly the opposite path and leads into "April 8th" a song i believe to be about him stocking her after she is married.
There is more to how these songs that i believe to relate to this story arch; such as "oh, comely" and "messages sent among others. For now i have to go but i will finish this up tomorrow. If would love some feedback, ideas, or questions about how/ why i came to these conclusions. Thanks for reading, i know its long.
I have spent quite some time listening to all the songs i believe to relate to this one and analyzing what they mean, and i believe this to be the first of a large story arch which centrally focus on a prostitute who's name seems to be Naomi or rose depending on how you look at it. I believe her to be Naomi, the central focus of the song "Naomi", but i will get to that in a minute.
This song is told from the prospective of a man who falls in love with a the main character "Naomi" who he grows up with befriended as a sister . The song begins with him wanting to take care of a girl who has been molested and neglected by her parents. She seem not to allow him to (which will continue as a theme throughout the story arch) instead choosing to cling to memories of better times depicted through a wedding ring given to her by he grand mother (which may contain an opal).
The song cuts from a scene of him sort of watch over she will not allow him to help/comfort her to Naomi as a teenager in one of her early relationships (and in a way he is still watching over her as a friend). Her sense of both mental and physical needs in a romantic relationship being severely squed from the trauma of the event previously mentioned as well as a generally unhealthy, violent and neglectful relationship with her parents.
In all of the songs when Goldaline is mentioned it refers to a story in which a set of Siamese twins who are lost in Siberia and essentially destined to die. They are confronted by a ravenous beast and instead of trying to escape choose to allow themselves to be consumed by the beast. They slowly die together in its belly. This is a medafore for accepting fate and alowing things to run their course.
In this instance he is applying it as her name as to depict that even as a youth she had already accepted that her sexual appetite and distorted sense of pleasure/fulfillment with men(which are virtually one in the same) was very much a part of her.
As this story is being told retrospectively (by a man who watches over her and comes to fall in love with her) he as a youth as well warns her boyfriend or partner at the time to be good to her as she is worth it, which he likely dose not.
In the line "She moves herself about her fist" the song is making reference to another song "Communist Daughter" : This is a medafor for promiscuous woman as in communism everything is shared, so would be the case for a communists daughter. I believe this to suggest another transition in time for which she is well past the boy in the beginning of the second verse. The next few line imply that she has become a prostitute, which is bitter sweet as she both loves and is disgusted by (or hates) the things that she dose. Yet it is the only thing she finds fulfilling.
She then has a brief encounter with the narrator where he is a "John" (Likely depicted in the song Naomi) something which both of them regret at the time. She never moves past it and over time ceases to speak to him as he falls in love with her and eventually come to stock her (depicted in this song as well as "Naomi" and the "April 8th", both songs narrated by the same person).
Goes on to marry a drunk who like all of her other relationships mistreats her. This all breaks his heart and i believe leads him to confront her after which she no longer is able to him. A second time Mangum makes refferance to her as Goldaline this time i believe to be her acceptance that their relationship can no longer exist, this is done inside of a statment he is making which is directly the opposite path and leads into "April 8th" a song i believe to be about him stocking her after she is married.
There is more to how these songs that i believe to relate to this story arch; such as "oh, comely" and "messages sent among others. For now i have to go but i will finish this up tomorrow. If would love some feedback, ideas, or questions about how/ why i came to these conclusions. Thanks for reading, i know its long.