This song is getting at that same damn thing. 'too dangerous to keep, too feeble to let go' the speaker's relation with that same object of the imagination that stares back at you with 'diamond eyes'. 'you want to bite the hand', the hand that feeds is that alterna subject within but this certain object, feeding it, is robbing this subject of what it wants to do. 'should have stopped this long ago' consolidates this. and yes, if you ask you will be extricated from it, but alas you were too feeble to let go, but it is too dangerous to stay suspended about it indefinitely. and yes, in another month or so you'll come back to gorge on it, which has to do with I it was never you, in the first place.
This song is getting at that same damn thing. 'too dangerous to keep, too feeble to let go' the speaker's relation with that same object of the imagination that stares back at you with 'diamond eyes'. 'you want to bite the hand', the hand that feeds is that alterna subject within but this certain object, feeding it, is robbing this subject of what it wants to do. 'should have stopped this long ago' consolidates this. and yes, if you ask you will be extricated from it, but alas you were too feeble to let go, but it is too dangerous to stay suspended about it indefinitely. and yes, in another month or so you'll come back to gorge on it, which has to do with I it was never you, in the first place.
I like the biting part.
I like the biting part.
you too, silly cheeks? its gehenna, a req if i have you at all pegged: fields of the nephilim
you too, silly cheeks? its gehenna, a req if i have you at all pegged: fields of the nephilim